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The Virgin and Child with Saint Martina

1596–1669
Not on view
This drawing, made in pen and ink by the leading artist of the Roman Baroque Pietro da Cortona, was preparatory for a painting featuring The Virgin with Christ Child and Saint Martina now in the Kimbell Art Museum, Fort Worth (inv. AP 1984.07, oil on canvas, 70 x 58 cm). In this composition, Saint Martina, a third-century martyr who was put to death for refusing to worship idols, gazes at the Christ Child while holding the forked iron hook with which she was tortured, and accepting the palm of martyrdom. The painting and the related drawing are generally dated to1643-45 ca. Cortona was particularly devoted to the cult of the Roman martyr Saint Martina, whose remains were found in 1634 during excavations undertaken for the artist's own tomb in the crypt of the church of the Accademia di San Luca, Rome. The discovery of the relics led to the rebuilding of the entire church, under Cortona's direction as architect, which was then dedicated to Saints Luke and Martina. Jörg Martin Merz (see here bibliography) dates this sheet to 1643 due to its similarities in handling and draftsmanship with a second preparatory drawing in the Morgan Library (inv. 1985.81). Cortona produced several variations on this subject for an engraving dedicated to Cardinal Francesco Barberini, for which the Morgan drawing may be a preparatory drawing. In the engraving the composition is shown in reverse. (F.R.)

Artwork Details

Object Information
  • Title: The Virgin and Child with Saint Martina
  • Artist: Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
  • Date: 1596–1669
  • Medium: Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
  • Dimensions: 9 5/8 x 12 3/8in. (24.5 x 31.5cm)
  • Classification: Drawings
  • Credit Line: Bequest of Benjamin Sonnenberg, 1978
  • Object Number: 1979.3
  • Curatorial Department: Drawings and Prints
More Artwork
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner, Pietro da Cortona (Pietro Berrettini) , School of Italian, Pen and black ink, brush and black wash over traces of black chalk, highlighted with white and blue-gray gouache
Pietro da Cortona (Pietro Berrettini)
17th century
Lobster-Tail Burgonet, Steel, leather, gold, North Italian
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Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)  Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini)  Italian, Pen and brown ink, over black chalk
Pietro da Cortona (Pietro Berrettini)
1637
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later

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