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Mademoiselle Bécat at the Café des Ambassadeurs, Paris

Sitter Portrait of Emélie Bécat French
1877–78
Not on view
Although cafés had flourished in Paris throughout the late eighteenth and early nineteenth century, they became the rage in literature and art after 1875, when the society of the Third Republic increasingly sought an animated public life outside the home and traditional milieus. Degas was one of the first in the circle of French Impressionists to portray the café-concert, a subject previously confined to popular prints and illustrated weeklies.

Artwork Details

Object Information
  • Title: Mademoiselle Bécat at the Café des Ambassadeurs, Paris
  • Artist: Edgar Degas (French, Paris 1834–1917 Paris)
  • Sitter: Portrait of Emélie Bécat (French)
  • Date: 1877–78
  • Medium: Lithograph; only state
  • Dimensions: image: 8 1/8 x 7 5/8 in. (20.6 x 19.4 cm)
    sheet: 13 1/2 x 10 3/4 in. (34.3 x 27.3 cm)
  • Classification: Prints
  • Credit Line: Rogers Fund, 1919
  • Object Number: 19.29.3
  • Curatorial Department: Drawings and Prints

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Huit Sonnets. . .Illustré de dix-nuef dessins inédits de Edgar Degas
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1946
Seated Woman in Bonnet and Shawl, Edgar Degas French, Aquatint, drypoint, and etching; printed from canceled plate
Seated Woman in Bonnet and Shawl
Edgar Degas
ca. 1879
At the Café des Ambassadeurs, Edgar Degas French, Etching, softground, drypoint, and aquatint; fifth (final) state; canceled plate
At the Café des Ambassadeurs
Edgar Degas
1879–80
Greek Landscape, Edgar Degas French, Etching (only state; impression from cancelled plate)
Greek Landscape
Edgar Degas
1856
On Stage III, Edgar Degas French, Softground etching,drypoint, and roulette on wove paper; fourth state of five
On Stage III
Edgar Degas
1876–77

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