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Mademoiselle Bécat at the Café des Ambassadeurs, Paris

Sitter Portrait of Emélie Bécat French
1877–78
Not on view
Although cafés had flourished in Paris throughout the late eighteenth and early nineteenth century, they became the rage in literature and art after 1875, when the society of the Third Republic increasingly sought an animated public life outside the home and traditional milieus. Degas was one of the first in the circle of French Impressionists to portray the café-concert, a subject previously confined to popular prints and illustrated weeklies.

Artwork Details

Object Information
  • Title: Mademoiselle Bécat at the Café des Ambassadeurs, Paris
  • Artist: Edgar Degas (French, Paris 1834–1917 Paris)
  • Sitter: Portrait of Emélie Bécat (French)
  • Date: 1877–78
  • Medium: Lithograph; only state
  • Dimensions: image: 8 1/8 x 7 5/8 in. (20.6 x 19.4 cm)
    sheet: 13 1/2 x 10 3/4 in. (34.3 x 27.3 cm)
  • Classification: Prints
  • Credit Line: Rogers Fund, 1919
  • Object Number: 19.29.3
  • Curatorial Department: Drawings and Prints

More Artwork

More Artwork
The Little Fourteen-Year-Old Dancer, Edgar Degas French, Partially tinted bronze, cotton tarlatan, silk satin, and wood, French, Paris
The Little Fourteen-Year-Old Dancer
Edgar Degas
Founder Cast by A. A. Hébrard
modeled 1881, cast 1922, modern tutu
Ceramic Horn, Glazed pottery, French
Ceramic Horn
French
late 18th or early 19th century
Snake Man, Alison Saar American, Color woodcut and lithograph
Snake Man
Alison Saar
Publisher Vinalhaven Press
1994
The Dance Class, Edgar Degas French, Oil on canvas
The Dance Class
Edgar Degas
1874
Édouard Manet, Seated, Holding His Hat, Edgar Degas French, Graphite and black chalk
Édouard Manet, Seated, Holding His Hat
Edgar Degas
Sitter Edouard Manet
ca. 1868

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