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Writing Box (Suzuribako) with Praying Mantis

Attributed to Ogawa Haritsu (Ritsuō) Japanese
first half 18th century
On view at The Met Fifth Avenue in Gallery 226
The Edo period witnessed a flowering of innovative design, fueled by the rise of a wealthy urban merchant class. Eager to distinguish themselves, merchants commissioned highly original objects that displayed both their prosperity and cultural sophistication. Among these were the lacquerwares of Ritsuō, to whom this dazzling writing box is attributed. In addition to using traditional gold and silver powders, he enriched the cedar surface with inlays of ceramic, glass, shell, carved bone, and pewter (or imitations using lacquer), creating a visually complex, colorful composition. The design’s Chinese aesthetic reflects the contemporaneous fascination with literati culture. Originally aspiring to become a haiku poet, Ritsuō did not begin his career as a lacquer artist until his mid-fifties. Beginning in 1721, he worked under the patronage of the daimyo Tsugaru Nobuhisa (1669–1746).

Artwork Details

Object Information
  • 伝小川破笠作 蟷螂蒔絵螺鈿象嵌硯箱
  • Title: Writing Box (Suzuribako) with Praying Mantis
  • Artist: Attributed to Ogawa Haritsu (Ritsuō) (Japanese, 1663–1747)
  • Period: Edo period (1615–1868)
  • Date: first half 18th century
  • Culture: Japan
  • Medium: Cedar wood, lacquer, gold and silver maki-e, mother-of-pearl, ceramic, bone
  • Dimensions: H. 1 7/8 in. (4.8 cm); W. 8 3/4 in. (22.2 cm); L. 9 1/2 in. (21.6 cm)
  • Classification: Lacquer
  • Credit Line: Gift of Florence and Herbert Irving, 2019
  • Object Number: 2019.193.32a–f
  • Curatorial Department: Asian Art
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