Madonna and Child
With their faces gently pressed together, the interaction between the Virgin and Christ Child evokes a tender intimacy. This motif appears in numerous works by Sano di Pietro and his workshop (for example, in another painting in the Lehman Collection, 1975.1.39). The particular manner of concealing the Christ Child’s right cheek behind the Virgin’s face was probably inspired by a celebrated Madonna painted by the Sienese master Ambrogio Lorenzetti (Pinacoteca Nazionale, Siena). Sano was a popular and highly prolific Sienese painter and illuminator, whose workshop produced numerous devotional images of the Madonna and Child, frequently shown in bust-length.
Artwork Details
- Title: Madonna and Child
- Artist: Sano di Pietro (Ansano di Pietro di Mencio) (Italian, Siena 1405–1481 Siena)
- Date: about 1450
- Medium: Tempera on wood, gold ground
- Dimensions: Overall, with engaged frame: 16 3/8 × 12 1/8 in. (41.6 × 30.8 cm)
Painted surface: 13 1/8 × 9 in. (33.3 × 22.9 cm) - Classification: Paintings
- Credit Line: Robert Lehman Collection, 1975
- Object Number: 1975.1.51
- Curatorial Department: The Robert Lehman Collection
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ca. 1450
Sano di Pietro (Ansano di Pietro di Mencio)
ca. 1440
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ca. 1610
Giotto di Bondone
possibly ca. 1320
Benvenuto di Giovanni
ca. 1475–85
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