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Islamic Art galleries at The Met

Islamic Art

About Us

The Met's collection of Islamic art ranges in date from the seventh to the twenty-first century. Its more than 15,000 objects reflect the great diversity and range of the cultural traditions of Islam, with works from as far westward as Spain and Morocco and as far eastward as Central Asia and Indonesia. Comprising both sacred and secular objects, the collection reveals the mutual influence of artistic practices such as calligraphy, and the exchange of motifs such as vegetal ornament (the arabesque) and geometric patterning in both realms.

Our History
Archival photo of display cases

Although the Museum acquired some seals and jewelry from Islamic countries as early as 1874, and a number of Turkish textiles in 1879, it received its first major group of Islamic objects in 1891, as a bequest of Edward C. Moore. Since then, the collection has grown through gifts, bequests, and purchases, as well as through Museum-sponsored excavations at Nishapur, Iran, in 1935–39 and in 1947. Until 1932, when the Department of Near Eastern Art was established, all of these objects were overseen by the Department of Decorative Arts. By 1963, the number of objects had increased to a point that necessitated an official departmental division between the Ancient Near Eastern and the Islamic portions of the collection, and the Department of Islamic Art was founded.

In 2011, after an extensive renovation, the Museum opened fifteen dramatic new Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia. The greatly enlarged and freshly conceived galleries highlight both the diversity and the interconnectedness of the numerous cultures represented, with multiple entryways that allow visitors to approach the galleries—and the art displayed within—from different perspectives.

Read more about the rich history of Islamic art at the Museum.

FEATURED

Wedding Attire: Three Cultures, One Celebration

This presentation of wedding ensembles and related accessories illustrates the diversity of ceremonies, customs, and clothing from the regions of China, Japan, and Ottoman Turkey and the Balkans.

View More Department Info
"Dancing Dervishes", Folio from a Divan of Hafiz, Hafiz  Iranian, Opaque watercolor and gold on paper
Poet Hafiz
Painting attributed to Bihzad
ca. 1480
"Men Treading Grapes", Folio from a Materia Medica of Dioscorides, Ink, opaque watercolor, and gold on paper
dated 621 AH/1224 CE
Astrolabe of ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari, ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari  Yemini, Brass; cast and hammered, pierced, chased, inlaid with silver
‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari
dated 690 AH/1291 CE
Dagger with Zoomorphic Hilt, Hilt: copper; cast, chased, gilded, and inlaid with rubies.<br/>Blade: steel; forged
second half 16th century
Dragon-Handled Jug with Inscription, Brass; cast and turned, engraved, and inlaid with silver, gold, and black organic compound
early 16th century
Damascus Room, Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
dated 1119 AH/1707 CE
Bowl with Inscription, "Sovereignty is God's", Earthenware; white slip with black slip decoration under transparent glaze
late 9th–early 10th century
Pen Box (Qalamdan) Depicting Shah Isma'il in a Battle against the Uzbeks, Papier-maché; painted and lacquered
early 19th century
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