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Islamic Art galleries at The Met

Islamic Art

The Met's collection of Islamic art ranges in date from the seventh to the twenty-first century. Its more than 15,000 objects reflect the great diversity and range of the cultural traditions of Islam, with works from as far westward as Spain and Morocco and as far eastward as Central Asia and Indonesia. Comprising both sacred and secular objects, the collection reveals the mutual influence of artistic practices such as calligraphy, and the exchange of motifs such as vegetal ornament (the arabesque) and geometric patterning in both realms.

Our History
Archival photo of display cases

Although the Museum acquired some seals and jewelry from Islamic countries as early as 1874, and a number of Turkish textiles in 1879, it received its first major group of Islamic objects in 1891, as a bequest of Edward C. Moore. Since then, the collection has grown through gifts, bequests, and purchases, as well as through Museum-sponsored excavations at Nishapur, Iran, in 1935–39 and in 1947. Until 1932, when the Department of Near Eastern Art was established, all of these objects were overseen by the Department of Decorative Arts. By 1963, the number of objects had increased to a point that necessitated an official departmental division between the Ancient Near Eastern and the Islamic portions of the collection, and the Department of Islamic Art was founded.

In 2011, after an extensive renovation, the Museum opened fifteen dramatic new Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia. The greatly enlarged and freshly conceived galleries highlight both the diversity and the interconnectedness of the numerous cultures represented, with multiple entryways that allow visitors to approach the galleries—and the art displayed within—from different perspectives.

Read more about the rich history of Islamic art at the Museum.

FEATURED

Wedding Attire: Three Cultures, One Celebration

This presentation of wedding ensembles and related accessories illustrates the diversity of ceremonies, customs, and clothing from the regions of China, Japan, and Ottoman Turkey and the Balkans.

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Morgan Casket, Ivory; carved
11th–12th century
Flower-Style Box with Drawers, Wood (poplar); overlaid with ebony inlaid with wood and incised, stained ivory
17th century
Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66), Ink, opaque watercolor, and gold on paper
ca. 1555–60
Great Indian Fruit Bat, Bhawani Das or a follower Indian, Pencil, ink, and opaque watercolor on paper
Painting attributed to Bhawani Das
ca. 1777–82
Dish with Two Intertwined Dragons, Stonepaste; painted in blue under transparent glaze
ca. 1640
The 'Nigde' Carpet, Cotton (warp and weft), wool (pile); symmetrically knotted pile
18th century
Incense Burner of Amir Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi, Ja`far ibn Muhammad ibn `Ali, Bronze; cast, engraved, chased, pierced
Ja`far ibn Muhammad ibn `Ali
dated 577 AH/1181–82 CE
Velvet Panel with Flowering Plants, Silk, cotton, flat metal wrapped thread; cut and voided velvet, brocaded
first half 17th century
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Photograph from a sumptuously decorated room with a geometric tiled floor, deep red seating cushions, and wooden wall panels detailed in gold leaf.
Explore a residential reception chamber (qaʿa) typical of the late Ottoman period in Damascus, Syria.
Archaeologists and laborers excavate an ancient site, surrounded by mountains under a cloudy sky, in a historical black-and-white photograph.
Related Content
Explore The Met’s excavations at Nishapur, a city in northeastern Iran. Related material is on view at The Met Fifth Avenue in Galleries 452 and 453.

A vibrant floral painting featuring large, vivid orange flowers and detailed green leaves.
Video
Join scholar Layla Diba for a richly illustrated lecture exploring the theme of the unrequited love of the nightingale for the rose in Persian art and poetry, inspired by the life and work of Annemarie Schimmel.
March 10
At left, Orhan Pamuk displays pages from his journal, and at right is a painting of a leafy park pathway from his journal
Video
Meet Me at The Met
Join Nobel Prize-winning writer Orhan Pamuk for a look at the works that have inspired his writing for many years.
May 1, 2025
A collage of five artworks against a light parchment background.
Five case studies for select recent acquisitions demonstrate the varied and complex nature of provenance research at The Met.
Lucian Simmons, Maya Muratov, Christine E. Brennan, Ria Breed, Anne Dunn-Vaturi, Michael Seymour, and Mary Chan
April 8, 2025

Aerial view of an excavation
Established in 2019, the Towns of the Karakum project (ToKa) is investigating the landscape and material culture of two walled towns in Turkmenistan.
A medieval manuscript richly illustrated with detailed decorative elements in ink, opaque watercolor, and gold on paper.

From West Africa to Southeast Asia: The History of Muhammad al-Jazuli’s Dala’il al-Khayrat Prayer Book.

Detail of a calligraphic emblem decorated with flowers
Works of art from the Islamic world are often decorated with beautiful calligraphic inscriptions which can be the key to the meaning and function of the object.