Theseus Fighting the Centaur Bianor

modeled 1849, cast ca. 1867
On view at The Met Fifth Avenue in Gallery 548
Barye's thorough grounding in classical prototypes is evident in this highly charged representation of an incident from the battle between the Lapiths and the Centaurs described in Book XII of Ovid's Metamorphoses. Bayre surely knew the series of metopes from the Parthenon depicting the Greek legend, but the death blow delivered by the Greek hero is recognizable as a borrowing from the marble Hercules and a Centaur by the Mannerist sculptor Giambologna in Florence.

Artwork Details

Object Information
  • Title: Theseus Fighting the Centaur Bianor
  • Artist: Antoine-Louis Barye (French, Paris 1795–1875 Paris)
  • Date: modeled 1849, cast ca. 1867
  • Culture: French, Paris
  • Medium: Bronze
  • Dimensions: confirmed: 49 3/4 × 45 1/4 × 20 3/4 in., 316 lb. (126.4 × 114.9 × 52.7 cm, 143.3 kg)
  • Classification: Sculpture-Bronze
  • Credit Line: Gift of Samuel P. Avery, 1885
  • Object Number: 85.3
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Cover Image for 6008. Theseus Fighting the Centaur Bianor

6008. Theseus Fighting the Centaur Bianor

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NARRATOR: This work by Antoine-Louis Barye illustrates an episode from the mythological battle between the Lapiths and Centaurs described in book twelve of Ovid's Metamorphoses. The Greek hero Theseus sits astride the centaur Biénor, pinning his head back with one hand while preparing to deliver the death blow with the other. The scale and the mythological subject matter of this piece are unusual for Barye. Barye was best know for small-scale representations of animals, often locked in violent combat. Such subjects were extremely popular with the public and with collectors. But they were considered trivial and undignified by the Academicians, who regularly excluded Barye's submissions from the Salon. Here, Barye makes concessions to official taste by choosing a scene from classical antiquity. He has idealized his figures, ignoring the extreme anatomical realism that typically informs his earlier, more controversial works.

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