The Virgin and Saint John the Evangelist

Attributed to Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) Italian

Not on view

The very finely pricked holes on the outlines of this drawing suggest that it may have served as a design for embroidery, perhaps for the cape of a chasuble (liturgical vestment) or an altar frontal. The drawing style resembles the work of the Florentine artist Raffaelino del Garbo, who, according to the sixteenth-century biographer and artist Giorgio Vasari, made designs for embroidery: “[Raffaelino] was employed by certain nuns and other persons, who were embroidering a great quantity of church vestments and hangings at the time, to make designs in chiaroscuro and ornamental borders containing saints and stories, for ridiculous prices. For although he had deteriorated, there sometimes issued from his hand most beautiful designs and fancies, as is proved by many drawings that were sold and dispersed after the death of those who used them for embroidery.”

The Virgin and Saint John the Evangelist, Attributed to Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, San Lorenzo a Vigliano, near Florence, ca. 1470–after 1527 Florence), Pen and light and dark brown ink, brush and brown wash, heightened with white, over black chalk underdrawing.

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