ticketsMember | Make a donation

Principale Entrée du Cirque d'Antonin Caracalla, from Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore

1761
Not on view
Plate 26, Remains of the entrance of the Circus of Maxentius (previously called the Circus of Caracalla) with one large arch at center and a smaller arch at right. Additional ruins and groups of figures are visible through the central archway. Below this plate is an unnumbered image, titled "Partie d'un Bas relief antique qui represente une Province a Genoux en forme de Suppliante." Unlike most of the half-page image pairs in the volume, in this case the top plate with the view of the Roman monument is smaller than the unnumbered image below. The images appear facing page 36, a text page describing the Circus of Maxentius.

Artwork Details

Object Information
  • Title: Principale Entrée du Cirque d'Antonin Caracalla, from Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore
  • Artist: After Jean Barbault (French, Viarmes 1718–1762 Rome)
  • Engraver: Dominico Montagu (Italian, active Rome, ca. 1750–76)
  • Printer: Giunchi Heritiers de Komarek
  • Publisher: Bouchard & Gravier (Rome)
  • Published in: Rome
  • Date: 1761
  • Medium: Etching
  • Dimensions: Plate: 5 15/16 × 8 3/16 in. (15.1 × 20.8 cm)
  • Classification: Prints
  • Credit Line: Rogers Fund, 1952
  • Object Number: 52.519.87(52)
  • Curatorial Department: Drawings and Prints

More Artwork

More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore
Multiple artists/makers
1761
The Triumph of Modern Art, Jean Barbault French, Etching
The Triumph of Modern Art
Jean Barbault
Louis Jean Desprez
18th century
The Excavation of an Obelisk from the Campo Marzo, Jean Barbault French, Etching
The Excavation of an Obelisk from the Campo Marzo
Jean Barbault
ca. 1749
Vignette with allegorical female figure and four putti supporting a shield, from the dedication to Jean François Joseph de Rochechouart, from Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore
Multiple artists/makers
1761
Title page vignette with putti measuring and sketching Roman monuments, from Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore
Multiple artists/makers
1761

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.