Atmospheres

Reflecting an interest in natural history, technology, and architecture, the prints in Atmospheres reveal a remarkable complexity, both when viewed individually and as a series. A rhythm established through the artist’s mark making, use of materials, and palette (which is to restricted to black, two different whites, and tones of gray) connects the images. By limiting the colors, Winters allows the viewer to concentrate on each work’s construction and intricate structure, as well as links between the different pieces. The artist has described these powerful works--the largest and among the most complex prints he has made—as "life-sized" as they are geared towards the scale of the body. The title, Atmospheres, comes from a 1961 work by the Hungarian composer György Ligeti. Best known for "micropolyphonic" compositions—that is, dense sound structures that reject melodic and conventional rhythms—Ligeti’s work, including Atmospheres, was prominently featured in Stanley Kubrick’s 1968 film 2001. Winters evokes what Ligeti describes as the impenetrable nature of his music (which the composer compared to a "densely woven cobweb") through the layering of diverse marks, multiple networks, and cell-like structures in Atmospheres, an effect achieved by layering impressions from numerous screens, which are printed up to thirty-eight times for a single print. Winters used an ink normally reserved for printing braille type; because it had a high viscosity, the ink created a sense of materiality and texture, qualities generally not associated with screenprints.