How Edgar Degas captured the gangly, awkward movements of a young dancer

"So much about dance vocabulary has to do with line."

"So much about dance vocabulary has to do with line."

Curator Cora Michael on Edgar Degas' drawing of "Little Girl Practicing at the Bar."

Explore this object:
https://www.metmuseum.org/art/collection/search/333944

Throughout 2013, The Met invited curators from across the Museum to each talk about one artwork that changed the way they see the world.

Photography by Bruce J. Schwarz

Subscribe for new content from The Met: https://www.youtube.com/user/metmuseum?sub_confirmation=1

#TheMet #ArtExplained #Art


Contributors

Cora Michael
Associate Curator, Department of Drawings and Prints

Two women in opulent dress and jewelry sit facing each other on a patterned carpet
Shimmering jewels in Pahari School paintings.
Olivia Dill and Marina Ruiz Molina
May 27
Futuristic sculpture of a fragmented, abstract human form in stone against a neoclassical arch. The tone is dynamic and modern amidst classical architecture.
How do Lee Bul’s sculptures hold space for critical remembrance to show how the past shapes our present?
Anne Anlin Cheng
May 16
More in:Art ExplainedPortraitureBehind the Scenes

A slider containing 1 items.
Press the down key to skip to the last item.
Little Girl Practicing at the Bar, Edgar Degas  French, Black chalk and graphite, heightened with white chalk on pink laid paper
Edgar Degas
ca. 1878–80