Detail of a calligraphic composition showing peacocks, chickens, cats, and rabbits in an Edenic landscape

Now on MetCollects: The Art of Language

Detail of a calligraphic composition showing peacocks, chickens, cats, and rabbits in an Edenic landscape

Isma'il Jalayir (Iranian, d. ca. 1860–71). Calligraphy painting (detail), ca. 1860. Opaque watercolor and ink on paste board, H: 17 3/4 x W: 14 1/4 in. (45.1 x 36.2 cm). The Metropolitan Museum of Art, New York, Purchase, 2017 NoRuz at The Met Benefit, 2018 (2018.26)

In an age when even political figures send out dispatches in 280 characters or less, the latest episodes of MetCollects—our monthly online feature highlighting works of art new to the Museum's collection—celebrate two works of art that elevate language and the printed word.

The November episode of MetCollects features a calligraphy composition by Isma'il Jalayir, a visionary painter of the second half of the nineteenth century in Iran. This intricately detailed painting depicts the artist's vision of an Edenic landscape, including imaginary architectural vistas and an extraordinary assemblage of animals, all within a beautifully executed calligraphic poem. In her curatorial essay, Maryam Ekhtiar, associate curator in the Department of Islamic Art, explains the meaning of the poem, saying that it "praises the virtues of kingship," and likens the ruler to a "flame in the night chamber of kingship." The twenty-six photos included in this episode, exquisitely photographed by Katherine Dahab, take viewers into the thickets, discovering rabbits, peacocks, snakes, an elephant, and more.

Detail from a page of a highly ornamented Spanish Hebrew Bible

Hebrew Bible, 1300–1350 (before 1366). Spanish, Castile. Ink, tempera, and gold on parchment with leather binding, 476 folios, 9 5/16 x 7 15/16 in. (23.7 x 20.1 cm). The Metropolitan Museum of Art, New York, The Cloisters Collection, 2018 (2018.59)

The December episode of MetCollects provides a look inside a splendidly adorned Hebrew Bible from medieval Spain. In their curatorial essay, Barbara Drake Boehm and Melanie Holcomb, curators in the Department of Medieval Art and The Cloisters, describe the textual embellishments of the Bible by saying, "words adorn words and proclaim their power." The photography by Hyla Skopitz highlights the elaborate decoration throughout the book and emphasizes the strength and beauty in the written word.

MetCollects is made possible through the continued generous support of Bloomberg Philanthropies.


Contributors

Dana Miller

Two women stand in an art gallery. One gestures towards a large, ornate-framed painting of a seated figure.
Video
Join Carmen Bambach, Marica F. and Jan T. Vilcek Curator in the Department of Drawings and Prints, and Daniel Kershaw, Exhibition Design Manager, and Caroline Elenowitz-Hess, Research Associate, to virtually explore Raphael: Sublime Poetry.
Carmen C. Bambach, Daniel Kershaw, and Caroline Elenowitz-Hess
April 9
collage of four images at top left a porcelain cat like figure at bottom left a woven basket at center a sculpture of the virgin mary and child and at right a golden scroll
Four provenance researchers at The Met present case studies that convey the diverse and often complicated nature of their work.
Lucian Simmons, Christine E. Brennan, Gloria de Liberali, Riva Arnold, and Jennifer Day
April 9
manuscript painting showing a man with a halo in a blue dress with monks in brown habits in the background and to the right the figure of a man with a halo sleeping and a concealed figure holding a blue dress
A roundtable discussion explores gender presentation, the history of fashion, and mockery in medieval depictions of Saint Jerome.
Nancy Thebaut, Jesse Darling, Ayla Lepine, and Clovis Maillet
March 24
More in:Recent AcquisitionsOn View