Español
DonarMembresíaEntradas

El viejo ciruelo

Kano Sansetsu Japanese
1646
Not on view
Incluso a los ciruelos más viejos les salen brotes verdes en primavera; por eso, el ciruelo es símbolo de fortaleza y rejuvenecimiento. Estas puertas corredizas separaban dos estancias de la residencia de un abad en Tenshō’in, subtemplo del Myōshinji, famoso templo Zen en Kioto. La exagerada curvatura del árbol y el incisivo trazado de las rocas geométricas son rasgos distintivos de las obras firmadas por Kano Sansetsu, discípulo y yerno del pintor Kano Sanraku (1559–1635). Sanraku, y seguramente también Sansetsu, disfrutaban del generoso mecenazgo del templo Myōshinji.

Artwork Details

Object Information
  • 狩野山雪筆 老梅図襖
  • Título: El viejo ciruelo
  • Artista: Kano Sansetsu, japonés, 1589–1651
  • Periodo: Periodo Edo
  • Fecha: ca. 1647
  • Material: Cuatro paneles de puerta corrediza; tinta, color y oro sobre papel dorado
  • Dimensiones: 174,6 x 485,5 cm
  • Crédito: Colección de arte asiático de Harry G. C. Packard, donación de Harry G. C. Packard, y compra, Fondos Fletcher, Rogers, Harris Brisbane Dick, y Louis V. Bell, legado de Joseph Pulitzer, y donación de The Annenberg Fund Inc., 1975
  • Número de inventario: 1975.268.48a–d
  • Curatorial Department: Asian Art

Audio

Solo disponible en: English
Cover Image for 8880. The Old Plum

8880. The Old Plum

0:00
0:00
Lamentamos informarle que la transcripción de esta pista de audio no se encuentra disponible en este momento. Le rogamos que envíe un correo electrónico a info@metmuseum.org para solicitar la transcripción de esta pista.
More Artwork
Birds and Flowers of the Four Seasons, Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper, Japan
Japan
late 16th century
Shakyamuni Emerging from the Mountains, with Dragon and Tiger, Kano Sansetsu  Japanese, Triptych of hanging scrolls; ink on paper, Japan
Kano Sansetsu
second quarter 17th century
Armor (<i>Gusoku</i>), Saotome Ietada  Japanese, Iron, lacquer, silk, gilt copper, Japanese
Armorer Helmet bowl signed Saotome Ietada
Armorer Breastplate inscribed inside, Myōchin Munesuke
16th and 18th centuries
“An Imperial Excursion” (Miyuki), “A Boat Cast Adrift” (Ukifune), and “The Barrier Gate” (Sekiya), Tosa Mitsuyoshi  Japanese, Painted sliding doors (fusuma-e) remounted as a pair of four-panel folding screens; ink, color, and gold leaf on paper, Japan
Tosa Mitsuyoshi
mid-16th–early 17th century
Wang Ziyou Visiting Dai Andao on a Snowy Evening (Ō Shiyū hō Tai Andō zu), Kano Sansetsu  Japanese, Two-panel folding screen; ink and gold on paper, Japan
Kano Sansetsu
mid-17th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.