Español
DonarMembresíaEntradas
Estamos trabajando para traducir esta página lo antes posible. Gracias por su comprensión.

Breakthrough

“Faded as it is, damaged as it is, it still almost moves me to tears that it survives.”

Thomas P. Campbell on the sixteenth-century tapestry The Last Supper.


Contributors

Thomas P. Campbell
Former Director and CEO

Photography by Peter Zeray


The Last Supper, Bernard van Orley  Netherlandish, Wool, silk, silver-gilt thread.
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28
Blue-toned close-up portrait of a bearded person with eyes closed, conveying a quiet, introspective mood through grainy, textured lighting.
Video
In Part 1 of this two-part program on the natural phenomenon of light and its representation in art, Austrian art historian Sir Ernst Gombrich discusses illumination, shadows, and the direction of light source.
September 22
Woman seated on a bench in a museum gallery in front of a large abstract painting.
Video
Explore Jackson Pollock’s Autumn Rhythm with Met curator Brinda Kumar and discover what it reveals about artistic intention and staying true to oneself.
Brinda Kumar
September 17
Detail of a black ceramic vessel with a shiny, burnished surface and two small raised bumps at the base of the neck.
Audio
Magdalene Odundo reflects on ceramic traditions, gender, and the universality and humanity of clay through the lens of a Kurumba vessel.
Magdalene Odundo
September 8
More in:MaterialsArt Making