"Faded as it is, damaged as it is, it still almost moves me to tears that it survives."
Thomas P. Campbell on the tapestry "The Last Supper."
Explore this object:
https://www.metmuseum.org/art/collection/search/459205
Throughout 2013, The Met invited curators from across the Museum to each talk about one artwork that changed the way they see the world.
Photography by Peter Zeray
Subscribe for new content from The Met: https://www.youtube.com/user/metmuseum?sub_confirmation=1
#TheMet #ArtExplained #Art
The rare tapestry that changed how others were made
"Faded as it is, damaged as it is, it still almost moves me to tears that it survives."
Thomas P. Campbell
2 min. watch
Contributors
Thomas P. Campbell
Former Director and CEO
Former Director and CEO
Art Mentioned
A slider containing 1 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28
More from The Met
Video
"One of the great masterpieces of world art was really given rise to by the openness of the Muslim mind."
Navina Najat Haidar
October 3, 2013
Video
"You have to imagine that nobody really saw this except the princess."
Adela Oppenheim
October 3, 2013
Video
"He’s playing on the idea of the deceptive nature of what can be seen on the surface."
Shi-yee Liu
October 3, 2013
More in:82nd and Fifth: Art Explained