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Breakthrough

This video is part of 82nd and Fifth, a series that invites curators from across the Museum to talk about an artwork that changed the way they see the world.

“Faded as it is, damaged as it is, it still almost moves me to tears that it survives.”

Thomas P. Campbell on the sixteenth-century tapestry The Last Supper.


Contributors

Thomas P. Campbell
Former Director and CEO

Photography by Peter Zeray


The Last Supper, Bernard van Orley  Netherlandish, Wool, silk, silver-gilt thread.
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28
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