Selected Artworks

Two Hunters

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1775 Medium: Pen and ink on blue paper Accession Number: SL.9.2021.2.1

Garroted Man

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1775–78 Medium: Etching, printed in blue (working proof) Accession Number: 20.22

Blind Guitarist

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1778 Medium: Etching Accession Number: 22.63.29

A False Bacchus Crowning Drunkards

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1778 Medium: Etching Accession Number: 24.97.1

The Drunkards or The Triumph of Bacchus

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1778 Medium: Black pencil on laid paper Accession Number: SL.9.2021.4.10

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1778 Medium: Etching Accession Number: 31.31.15

Portrait of the court dwarf known as el Primo, after Velázquez

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1778 Medium: Etching Accession Number: 31.31.14

Portrait of the court dwarf El Primo, after Velázquez

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1778 Medium: Etching Accession Number: 31.31.18

Self-portrait

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1796 Medium: Brush and point of brush, carbon black ink, on laid paper Accession Number: 35.103.1

Recto: Woman Arranging her Hair; Verso: Woman Sweeping

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1794–95 Medium: Brush and point of brush, carbon black washes, on laid paper Accession Number: SL.9.2021.4.1

Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1795–97 Medium: Brush and point of brush, carbon black washes, on laid paper Accession Number: 35.103.2

Maja and an officer; folio 22 (verso) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1795–97 Medium: Brush and point of brush, carbon black washes, on laid paper Accession Number: 35.103.3

A country dance; page 89 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush, brown ink washes, traces of black chalk, on laid paper Accession Number: 35.103.47

A crowd forming a circle; page 42 from the "Images of Spain" album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush, brown ink washes, traces of black chalk, on laid paper Accession Number: 35.103.29

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Etching, aquatint Accession Number: 21.19.20

Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1814–15 (published 1863) Medium: Etching, burnisher Accession Number: 22.60.25(71)

The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1815; published ca. 1859 Medium: Etching, burin ('Goya' inscribed in pencil lower right, not in the artist's hand) Accession Number: 2015.480

A woman attacking a sleeping man; page 87 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush, brown ink washes, traces of black chalk, on laid paper Accession Number: 35.103.46

'Barbarous Entertainment', a blind guitarist on the horns of a bull

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1800–1804 (published 1828–67) Medium: Etching, aquatint, drypoint on laid paper Accession Number: 18.42.2

Plate 80 from "Los Caprichos": It is time (Ya es hora)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint, drypoint, burin Accession Number: 18.64(80)

Plate 64 from "Los Caprichos": Bon voyage (Buen Viage)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint, burin Accession Number: 18.64(64)

Plate 55 from "Los Caprichos": Until death (Hasta la muerte)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint, drypoint Accession Number: 18.64(55)

Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint, burin Accession Number: 18.64(53)

Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint Accession Number: 18.64(45)

The Sleep of Reason

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1797 Medium: Pen and brown ink, light brown wash, on laid paper Accession Number: SL.9.2021.4.2

Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, aquatint Accession Number: 18.64(43)

Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint Accession Number: 18.64(42)

Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint, drypoint, burin Accession Number: 18.64(33)

Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint, drypoint, burin Accession Number: 18.64(23)

Plate 15 from 'Los Caprichos': Pretty Advice (Bellos consejos)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, aquatint, burin, touches of pen and ink Accession Number: 30.54.44

Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint, burin Accession Number: 18.64(12)

Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint Accession Number: 18.64(8)

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, aquatint, drypoint Accession Number: 18.64(7)

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, burnished aquatint Accession Number: 18.64(3)

Self-Portrait; wearing a top hat facing left within a drawn frame (recto); two studies of his face (verso)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1797–98 Medium: Red chalk (recto), pen and ink and red chalk (verso) on laid paper Accession Number: 1972.118.295

Self-Portrait; Plate 1 from "Los Caprichos"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1799 Medium: Etching, aquatint, drypoint, burin Accession Number: 50.558.33

What a disaster. The whole house is in uproar because the poor little dog hasn’t done her duty all day (recto); Masquerading Asses (verso); (Double side drawing from Album B, fols 91 & 92)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1796–97 Medium: Brush and point of brush, carbon black washes, touches of pen and brown ink (verso), on laid paper Accession Number: SL.9.2021.6.3

Masquerading asses being whipped; folio 93 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1796–98 Medium: Brush and point of brush, carbon black washes, touches of pen and brown ink, on laid paper Accession Number: 35.103.17

Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1796–98 Medium: Brush and point of brush, carbon black washes, touches of pen and brown ink, on laid paper Accession Number: 35.103.16

Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1796–98 Medium: Brush and point of brush, carbon black washes, on laid paper Accession Number: 35.103.15

Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1796–98 Medium: Brush and point of brush, carbon black washes, on laid paper Accession Number: 35.103.14

Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1796–98 (possibly later) Medium: Brush and point of brush, carbon black washes, on laid paper Accession Number: 35.103.13

Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1796–98 (possibly later) Medium: Brush and point of brush, carbon black washes, on laid paper Accession Number: 35.103.12

A young woman looking into a well; folio 46 (verso) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1795–97 Medium: Brush and point of brush, carbon black washes, on laid paper Accession Number: 35.103.9

Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1795–97 Medium: Brush and point of brush, carbon black washes, on laid paper Accession Number: 35.103.8

They are getting drunk; folio 67 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1796–98 Medium: Brush and point of brush, scraper, carbon black washes, on laid paper Accession Number: 35.103.11

A charlatan extracting a tooth from a patient's mouth, figure in the foreground vomiting; folio 68 (verso) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1796–98 Medium: Brush and point of brush, scraper, carbon black washes, on laid paper Accession Number: 35.103.10

Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1795–97 Medium: Brush and point of brush, carbon black washes, on laid paper Accession Number: 35.103.5

Young woman weeping and covering her face with her hands, accompanied by men; folio 17 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1795–97 Medium: Brush and point of brush, carbon black washes, black chalk, on laid paper Accession Number: 35.103.4

May their joy last (Album C)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1812–14 Medium: Gouache, brush, soot ink, brown ink, on laid paper Accession Number: SL.9.2021.4.11

For wagging his tongue (Album C)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1808–14 Medium: Brush, brown ink washes, touches of black chalk, on laid paper Accession Number: SL.9.2021.4.4

4th vision in the same night (Album C)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1808–14 Medium: Brush, wash, carbon black ink, traces of black chalk, on laid paper Accession Number: SL.9.2021.4.3

Crowd in a Park; page 31 from the "Images of Spain" album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush, bistre and brown ink wash, traces of black chalk on laid paper Accession Number: 35.103.19

A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush and point of brush, gray washes, over touches or red chalk, on laid paper Accession Number: 35.103.21

Men hunting; page 105 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush, brown and gray washes, traces of black chalk on laid paper Accession Number: 35.103.23

A partly naked woman seated by a stream; page 32 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush, bistre and wash, traces of red chalk, on laid paper Accession Number: 35.103.25

A radiant female figure beset by dark spirits; page 45 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush and point of brush, brown and gray washes, over touches or chalk, on laid paper Accession Number: 35.103.30

Construction; page 46, from "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush and gray-brown and irongall wash, with scraping on laid paper Accession Number: 35.103.31

A woman kneeling before an old man; page 55 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush and point of brush, brown ink and gray chalk-and-ink washes, on laid paper Accession Number: 35.103.34

A nun frightened by a ghost playing a guitar; page 65 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush and point of brush, brown ink washes, black chalk, on laid paper Accession Number: 35.103.37

Three acrobats; page 67 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush and point of brush, brown ink washes, traces of red and black chalk, on laid paper Accession Number: 35.103.38

A woman pulling at her hair accompanied by a group of figures; page 76 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush, brown ink washes, traces of black chalk on laid paper Accession Number: 35.103.42

Prisoners in irons; page 80 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush, brown ink washes, over touche of black chalk on laid paper Accession Number: 35.103.44

A man breaking up a fight; page 82 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush, brown ink washes, touches of black chalk, on laid paper Accession Number: 35.103.45

Revenge on Constable Lampiños; page 86 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1812–20 Medium: Brush, brown ink washes, touches of gray ink on laid paper Accession Number: 35.103.49

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Etching, aquatint, drypoint Accession Number: 21.19.1

Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Etching, burnished aquatint, drypoint Accession Number: 21.19.6

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Etching, aquatint, drypoint Accession Number: 21.19.12

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Etching, aquatint, drypoint Accession Number: 21.19.14

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Etching, burnished aquatint, drypoint Accession Number: 21.19.18

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Etching, burnished aquatint, lavis, drypoint, burin Accession Number: 21.19.21

Plate 21: Preparatory drawing for the Death of the Mayor Torrejon, from the Tauromaquia

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Red chalk on laid paper Accession Number: SL.9.2021.4.6

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Etching, burnished aquatint Accession Number: 21.19.23

Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Etching, aquatint, drypoint Accession Number: 21.19.27

Plate 31 from the Tauromaquia, Banderillas with firecrackers

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1816 Medium: Etching, burnished aquatint, drypoint, black chalk border Accession Number: SL.9.2021.2.2

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1815 (published 1863) Medium: Etching, burin, drypoint, burnisher Accession Number: 22.60.25(1)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1810 Medium: Etching, burin Accession Number: 32.62.15

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1810 Medium: Etching, drypoint, burin, burnisher Accession Number: 32.62.17

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: ca. 1810 (published 1863) Medium: Etching, drypoint, burin, burnisher Accession Number: 51.530.2(30)

Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1810 Medium: Etching, burnished aquatint, drypoint Accession Number: 1987.1014

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1810 Medium: Etching, drypoint, burin Accession Number: 32.62.2

Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1811–12 (published 1863) Medium: Etching, drypoint, burnished aquatint Accession Number: 22.60.25(64)

Preparatory drawing for Plate 64, Cartloads, from the Disasters of War

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1810–15 Medium: Red chalk on laid paper Accession Number: SL.9.2021.4.5

Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1814–15 (published 1863) Medium: Etching, burnished aquatint, drypoint Accession Number: 22.60.25(77)

Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1814–15 (published 1863) Medium: Etching, drypoint, burin, burnisher Accession Number: 22.60.25(78)

Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: 1814–15 (published 1863) Medium: Etching and burnisher Accession Number: 22.60.25(79)

Seated Giant

Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Date: by 1818 (possibly 1814–18) Medium: Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) Accession Number: 35.42