Exhibitions/ Art Object
{{img.publicCaption}}

明晚期 編竹剔紅金彩梅鵲紋漆盒
Box with plum blossoms and birds

Period:
Ming dynasty (1368–1644)
Date:
early 17th century
Culture:
China
Medium:
Carved red lacquer; gilded basketry panels
Dimensions:
H. 3 5/8 in. (9.2 cm); W. 5 3/4 in. (14.6 cm); D. 5 3/4 in. (14.6 cm)
Classification:
Lacquer
Credit Line:
Gift of Florence and Herbert Irving, 2015
Accession Number:
2015.500.1.60a, b
Not on view
The lid of this box has carved plum blossoms and a pair of magpies. As opposed to its association with ill fortune in the West, the magpie is one of the most auspicious birds in Chinese culture because its name is pronounced the same as the word for “happiness” (xi).
Florence and Herbert Irving , New York (until 2015; donated to MMA)
New York. The Metropolitan Museum of Art. "East Asian Lacquer from the Florence and Herbert Irving Collection," November 22, 1991–February 23, 1992.

New York. The Metropolitan Museum of Art. "Irving Lacquers," 1998–2000.

New York. The Metropolitan Museum of Art. "Chinese Lacquer," July 18, 2005–November 14, 2005.

New York. The Metropolitan Museum of Art. "Chinese Lacquer: Painted and Carved," 2007.

New York. The Metropolitan Museum of Art. "Chinese Lacquer: An Introduction," December 4, 2007–May 11, 2008.

New York. The Metropolitan Museum of Art. "Cinnabar: The Chinese Art of Carved Lacquer," August 6, 2009–February 21, 2010.

New York. The Metropolitan Museum of Art. "Extravagant Display: Chinese Art in the Eighteenth and Nineteenth Centuries," December 14, 2010–May 1, 2011.

New York. The Metropolitan Museum of Art. "Red and Black: Chinese Lacquer, 13th–16th Century," September 7, 2011–June 10, 2012.

New York. The Metropolitan Museum of Art. "Introduction to Chinese Lacquer," December 11, 2013–July 6, 2014.

New York. The Metropolitan Museum of Art. "Chinese Lacquer: Treasures from the Irving Collection, 12th–18th Century," August 15, 2015–June 19, 2016.

New York. The Metropolitan Museum of Art. "Cinnabar: The Chinese Art of Carved Lacquer, 14th to 19th Century," June 15, 2016–October 9, 2017.

Related Objects

Seated Avalokiteshvara, the Buddha of Infinite Compassion

Date: 17th century Medium: Gilt copper alloy Accession: 2015.500.4.22 On view in:Gallery 253

The Qianlong Emperor's Southern Inspection Tour, Scroll Four: The Confluence of the Huai and Yellow Rivers (Qianlong nanxun, juan si: Huang Huai jiaoliu)

Artist: Xu Yang (Chinese, active ca. 1750–after 1776) and assistants Date: dated 1770 Medium: Handscroll; ink and color on silk, lacquer box Accession: 1984.16a–c On view in:Gallery 216

Cabinet for Ritual Utensils

Date: 18th century Medium: Lacquer and gilding on wood, iron Accession: 2015.500.4.21 On view in:Gallery 253

Vase with Nine Peaches

Medium: Porcelain painted with colored enamels over transparent glaze (Jingdezhen ware) Accession: 17.120.194 On view in:Gallery 202

Vase

Date: 1713–22 Medium: Porcelain with peach-bloom glaze (Jingdezhen ware) Accession: 14.40.377 On view in:Gallery 200