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Etchings of Paris; Title page to the suite

1852
Not on view
Charles Meryon was celebrated among artists and collectors alike during the nineteenth century for his etched depictions of Paris. These works combined a documentary eye on the French capital—which was then undergoing dramatic transformation from a medieval to distinctly modern city—with fantastic details that varied from the whimsical to the morbid. His first and best-known album, Eaux-fortes sur Paris, included twenty-two urban views inspired by the novels and poetry of Victor Hugo (1802–1885). This title page opened the series, and showed, as the art critic Philippe Burty described in his early monograph on Meryon, "a block of stone with fossils and moss imprints . . . symbolizing the physical foundations of Paris."

Artwork Details

Object Information
  • Title: Etchings of Paris; Title page to the suite
  • Series/Portfolio: Etchings of Paris
  • Artist: Charles Meryon (French, 1821–1868)
  • Date: 1852
  • Medium: Etching on brown wove paper; first state
  • Dimensions: plate: 6 1/2 x 4 15/16 in. (16.5 x 12.5 cm)
  • Classification: Prints
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963
  • Object Number: 63.606.11
  • Curatorial Department: Drawings and Prints
More Artwork
Lunar Law, Charles Meryon  French, Pen and brown ink, brush and brown and colored washes, graphite, on etching
Charles Meryon
1856
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in color, on heavy ivory wove paper
Multiple artists/makers
1975
The Mortuary, Paris (La Morgue), Charles Meryon  French, Etching and drypoint, third state of seven
Charles Meryon
1854
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec  French, Lithograph printed in four colors; three sheets of wove paper
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891

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