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Pont-Neuf, Paris

1853
Not on view
This impression of the Pont-Neuf print displays the significant changes that Meryon made to his etching plate from the seventh to the tenth state. By burnishing, or smoothing out, the copper, he erased the smokestack and cluster of neighboring buildings that can be seen in the background of an earlier state. Then he re-etched the background architecture at a much lower profile. These adjustments emphasize the semicircular stone boutiques lining the bridge, which were actually in the process of being removed when Meryon chose this subject for his print.

Artwork Details

Object Information
  • Title: Pont-Neuf, Paris
  • Series/Portfolio: Eaux-fortes sur Paris (Etchings of Paris)
  • Artist: Charles Meryon (French, 1821–1868)
  • Date: 1853
  • Medium: Etching and drypoint; tenth state of eleven
  • Dimensions: plate: 7 1/4 x 7 3/16 in. (18.4 x 18.3 cm)
  • Classification: Prints
  • Credit Line: Bequest of Julia H. Manges, in memory of her husband, Dr. Morris Manges, 1960
  • Object Number: 60.598.90
  • Curatorial Department: Drawings and Prints
More Artwork
The Mortuary, Paris (La Morgue), Charles Meryon  French, Etching and drypoint, third state of seven
Charles Meryon
1854
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
Nocturne: Palaces, James McNeill Whistler  American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
James McNeill Whistler
1879–80
Native Barns and Huts at Akaroa, Banks Peninsula, 1845, from "The Voyage to New Zealand (1842–46)", Charles Meryon  French, Etching
Charles Meryon
1860
Osage Warrior, Charles Balthazar Julien Févret de Saint-Mémin  French, Watercolor and graphite on off-white wove paper, American
Charles Balthazar Julien Févret de Saint-Mémin
1805–7

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