Pierre de Goa et étui en or

late 17th–early 18th century
On view at The Met Fifth Avenue in Gallery 463
La « pierre de Goa » était fabriquée par des prêtres jésuites vivant à Goa, petite province sur la côte occidentale de l’Inde. Il s’agit d’une version artificielle du bézoard (mélange de calculs biliaires et de poils qui se forme dans l’estomac du chevreuil, du mouton ou de l’antilope) qui, une fois râpé et ingéré avec du thé ou de l’eau, était réputé avoir des propriétés médicinales. Ces bézoards artificiels étaient conservés et exportés en Europe dans une boîte d’une grande finesse faite sur mesure, en or ou en argent. Ce contenant ovoïde en or est formé de deux hémisphères, chacun revêtu d’une châsse d’or ajourée, ciselée et découpée selon des motifs de feuilles. Sur cette châsse, l’artisan a appliqué divers animaux, parmi lesquels des licornes et des griffons.

Artwork Details

Object Information
  • Titre: Pierre de Goa et étui en or
  • Date: Fin XVIIe siècle–début XVIIIe siècle
  • Aire géographique: Inde, Goa
  • Technique: Contenant : or à décor ajouré et repoussé, pieds moulés et faîteaux ; pierre de Goa : matières organiques et inorganiques
  • Dimensions: H. 6,7 cm ; diam. 14,4 cm
  • Crédits: Fonds Rogers, 2004
  • Accession Number: 2004.244a–d
  • Curatorial Department: Islamic Art

Audio

Uniquement disponible en: English
Cover Image for 1172. Kids: Goa Stone and Gold Case

1172. Kids: Goa Stone and Gold Case

0:00
0:00

NAVINA HAIDAR: Believe it or not, this gold case; yes! made out of real gold! - was not the most valuable part of this object! But let’s start by looking at it closely. On the very top is a bird. It’s a combination of a peacock and a hunting bird with a curving beak. Within the round parts of the case there are more animals. Look for monkeys and other kinds of animals. Maybe you’ll even spot a unicorn! The case was made to hold a large stone – which was considered extremely mysterious and powerful; and very, very valuable. The stone was made up of different kinds of materials put together. Some of them were ivory, crushed animal bones, and crushed jewels. It was believed that if you scraped off just the tiniest bit of the stone and ate it, or dissolved it in a drink, it would cure you from being poisoned. These kinds of Indian objects were often sent to from India to Europe. European Kings and Queens wanted examples of almost unbelievably fine Indian goldwork. And they really wanted the stones inside - to protect them from being poisoned by their enemies.

    Listen to more about this artwork

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback