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Seated Woman

1716–17
Not on view
One of the most brilliant and innovative draftsmen of the eighteenth century, Watteau was an early exponent of the "trois-crayons" or "three-chalk" technique, which allowed his drawings to approach the rich coloristic effects of painting. This fetching study of a seated woman is a consummate example of his mastery of the technique. Freely mixing red, black, and white chalk, he captured the young woman's loosely pinned-up hair, luminous flesh tones, and the sheen of her dress. The Lehman sheet is not known to be a preparatory study for a painting, but the model does reappear in at least one other drawing by the artist. Her gesture is not easily understood, although her elegance and charming lack of self-consciousness come through clearly.

Artwork Details

Object Information
  • Title: Seated Woman
  • Artist: Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne)
  • Date: 1716–17
  • Medium: Black, red and white chalk
  • Dimensions: 9 7/16 x 5 7/16 in. (24 x 13.8 cm)
  • Classification: Drawings
  • Credit Line: Robert Lehman Collection, 1975
  • Object Number: 1975.1.763
  • Curatorial Department: The Robert Lehman Collection
More Artwork
Mezzetin, Antoine Watteau  French, Oil on canvas
Antoine Watteau
ca. 1718–20
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
Approach to a Mountain Village with Horsemen on the Road, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)  Italian, Pen and brown ink, traces of black chalk; mounted on an album page
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
ca. 1501
Figures françoises et comiques nouvellement inventées par M. Watteau; Figures de modes dessinées et gravées à l'eau forte par Watteau; a terminées au buin par Thomassin le fils, Antoine Watteau  French
Multiple artists/makers
1710?–?1720
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century

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