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Conserving Gilliéron’s Watercolors

Starting in 2015, three remarkable watercolors by Emil Gilliéron were studied and conserved, after more than seventy years in storage, to prepare them for the exhibition Watercolors of the Acropolis: Émile Gilliéron in Athens. See how they did it.

Starting in 2015, three remarkable watercolors by Emil Gilliéron were studied and conserved, after more than seventy years in storage, to prepare them for the exhibition Watercolors of the Acropolis: Émile Gilliéron in Athens. See how they did it.


Image of conservator Rachel Mustalish talking about the luxury copy of La Fin du monde
Video
A close examination of The Met’s luxury copy of the printed book and original artist’s maquette for La Fin du monde.
June 8
A woman and two men in formal attire stand conversing in front of a classical stone wall with columns
Video
Max Hollein, The Met's Director and CEO, and Miriam Peterson and Nathan Rich, founders of architecture firm Peterson Rich Office, take you behind the scenes.
Max Hollein
May 4
A group of people in a conference room are engaged in collaborative work on laptops. The atmosphere is focused and lively, with drinks and snacks on tables.

The Met explores GenAI through testing and collaboration, inviting creators to build innovative tools connecting audiences with Asian art and each other.

Brett Renfer
May 1
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Reproduction of the Winged Three-bodied Creature, commonly known as "Bluebeard", Emile Gilliéron père Swiss, Watercolor, graphite, and crayon on paper, Greek
Emile Gilliéron
second quarter of the 6th century BCE
Reproduction of Two Lions Savaging a Bull, Emile Gilliéron père Swiss, Watercolor and graphite on paper, Greek
Emile Gilliéron
second quarter of the 6th century BCE