English
DonateMembershipTickets

Garroted Man

ca. 1775–78
Not on view
This is one of Goya's earliest etchings, made when he was exploring the technique. It shows a man being killed by a garrotte, the standard civilian method of execution in Spain of which there were several methods. That depicted here shows the prisoner sat on a stool with his back to the post, wrists bound and a hinged iron collar closed around his neck. It is a strange subject for a print, perhaps addressing judicial abuse and it is hard to guess what sort of audience Goya anticipated. Goya might not have intended it for wide distribution as it was made when he was beginning as a printmaker and exploring subjects that interested him personally. Goya’s unflinching depiction of this method of execution anticipates his brutally frank representation of conflict in the 'Disasters of War' began over thirty years later, in 1810. This etching, printed in blue ink is a unique working proof. The tone imparts an eerie sense to the composition, suggesting an interior nocturnal setting.

Artwork Details

Object Information
  • Title: Garroted Man
  • Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
  • Date: ca. 1775–78
  • Medium: Etching, printed in blue (working proof)
  • Dimensions: Plate: 12 7/8 × 8 1/4 in. (32.7 × 21 cm)
    Sheet: 16 15/16 × 12 3/16 in. (43 × 31 cm)
  • Classification: Prints
  • Credit Line: Rogers Fund, 1920
  • Object Number: 20.22
  • Curatorial Department: Drawings and Prints
More Artwork
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Rapier, Steel, blade, Spanish, Toledo; hilt, European, possibly Spanish
blade, Spanish, Toledo; hilt, European, possibly Spanish
blade, ca. 1635; hilt, late 17th century
Old Man with Beard and Flat Cap, after Rembrandt, Captain William E. Baillie  Irish, Etching and drypoint; proof before letters
Captain William E. Baillie
After Rembrandt (Rembrandt van Rijn)
1765
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Self-Portrait, Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, carbon black ink
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.