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釈迦像

late 5th century
On view at The Met Fifth Avenue in Gallery 236
この釈迦像は、真理を悟ることから得られる内なる平穏と静けさを表しています。現在は失われていますが、当初は上げた右手で恐れを振り払い、安心をもたらす独特のアバヤ・ムドラーの手印を示していました。釈迦は仕 立てられていない簡素な僧衣をまとい、悟りの境地を拓いたことを示す、大きな光背と、自然と超自然双方の縁起の印(ラクシャナ)によって聖像(完全な涅槃の状態)であることがさらに強調されています。仏教の伝播とともに発達した美術様式の頂点を示す作品として、この様式はアジア全域における釈迦像の基準となりました。

Artwork Details

Object Information
  • 題: 釈迦像
  • 時代: グプタ朝
  • 月日: 5世紀
  • 地理: インド、ウッタルプラデシ、マトゥラ
  • 手法: 砂岩
  • 寸法: 高さ85.5 cm
  • 提供者: 購入、イーニッド A. ハウプトより助成、1979年
  • 受け入れ番号: 1979.6
  • Curatorial Department: Asian Art

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Cover Image for 959. Kids: Buddha

959. Kids: Buddha

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This man, sculpted in red stone, has ears hanging almost to his shoulders. They've been stretched by wearing heavy gold earrings. This man was Prince Siddhartha Gautama, who was born sometime around 600 BC. He gave up his throne and became a spiritual teacher called the Buddha, or ‘Enlightened One’.

Notice the broken piece of a large round disc behind Buddha's head. Originally, this was a halo. This sculpture was made in North India more than 1000 years after the Buddha lived on earth. Sculptors followed a set of rules for making images of the Buddha. The shapes of his face resembled beautiful forms found in nature. Here, for instance, the Buddhist tapered eyes are shaped like two fish. The pattern of folds on his garment looks like ripples in a pond. What about the curls in his hair? Do they look anything like snails? That's because in an old Buddhist legend, the Buddha once sat so long meditating that snails covered his head to protect him from the sun.

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