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Title Plate, from "Quinque Sensuum"

Publisher Robert Walton
ca. 1655
Not on view
Horizontal panel with the title on fabric draped from a strapwork cartouche at center and surrounded by animals. At left, a monkey in glasses, a deer, and a dog. At right, a parrot, crane, and rabbit. Below the fabic at center, a turtle seen from the front. The series, consisting of a title and five plates with the senses personified by female figures, is titled 'Quinque sensuum descriptio, in eo picturae genere quod (Grottesche) vocant Itali' (Description of the Five Senses in that kind of painting that the Italians call grotesque). This set belongs to the 3rd edition, published in London by Robert Walton after 1646 (ca. 1655). An inscription on this plate credits Walton as the publisher ('SOULD BY RO: WALTON), but there are visible traces of the name and address of the publisher of previous editions.

Artwork Details

Object Information
  • Title: Title Plate, from "Quinque Sensuum"
  • Series/Portfolio: Quinque Sensuum
  • Artist: Franz Cleyn (German, Rostock 1582–1658 London)
  • Publisher: Robert Walton
  • Date: ca. 1655
  • Medium: Engraving
  • Dimensions: Sheet: 3 3/4 × 7 15/16 in. (9.5 × 20.1 cm)
  • Classifications: Prints, Ornament & Architecture
  • Credit Line: Harris Brisbane Dick Fund, 1945
  • Object Number: 45.101.1
  • Curatorial Department: Drawings and Prints
More Artwork
Border Designs for the Mortlake "Acts of the Apostles" Tapestries, Franz Cleyn  German, Watercolor with white heightening, details in pen and ink and graphite
Franz Cleyn
ca. 1626–36
Clarinet in D, Boxwood, brass, German
German
1750–70
Christ Carrying the Cross, Martin Schongauer  German, Engraving
Martin Schongauer
ca. 1475–80
The Sack of Troy: Pyrrhus Killing Priam, Franz Cleyn  German, Black chalk and gray wash; incised for transfer; framing lines in graphite; verso treated with red chalk for transfer
Franz Cleyn
before 1654
Priming Flask with Sundial and Compass, Brass, gold, silver, steel, German, probably Nuremberg
German, probably Nuremberg
late 16th century

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