Engaged molding on a polyptych panel
Only the lancet top, which itself has suffered damage, survives of the engaged frame on this "Madonna and Child Enthroned with Two Cherubim" that John Pope-Hennessy has attributed to the Osservanza Master. Nevertheless, the narrow chamfered molding, with its arch echoing the perspective of the picture, lends an architectural strength to the enthroned Virgin and Child, and the remaining crockets still suggest stylized palm fronds arching over their heads. As the center panel of a large polyptych, the "Madonna and Child" would not originally have had engaged moldings along its sides, but would have been separated visually from its lateral panels by applied, perhaps spiral, colonettes. The lancet top was probably itself engaged to an extension of the main panel forming a triangular gable above it.
Artwork Details
- Title: Engaged molding on a polyptych panel
- Date: ca. 1435–40
- Culture: Sienese
- Medium: Poplar. Carved, gilt: deep red bole.
- Dimensions: Overall: 56 11/16 × 27 3/16 in. (144 × 69 cm)
Sight: 53 5/8 × 24 1/2 in. (136.2 × 62.3 cm) - Classification: Frames
- Credit Line: Robert Lehman Collection, 1975
- Object Number: 1975.1.41b
- Curatorial Department: The Robert Lehman Collection
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.