The Coquettish Widow

Artist and publisher Simon Nicolas Duflos French

After Charles Antoine Coypel French

1747

Not on view

Artwork Details

Object Information

Overview

Signatures, Inscriptions, and Markings

Provenance

Title: The Coquettish Widow
Artist and publisher: Simon Nicolas Duflos (French, 1704/05–1761)
Artist: After Charles Antoine Coypel (French, Paris 1694–1752 Paris)
Date: 1747
Medium: Etching and engraving
Dimensions: Plate: 11 7/16 × 7 11/16 in. (29.1 × 19.5 cm)
Sheet: 13 7/16 × 9 3/4 in. (34.2 × 24.8 cm)
Classification: Prints
Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950
Object Number: 50.567.50
Curatorial Department: Drawings and Prints

More Artwork

By Charles Antoine Coypel

In the same medium

François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795), Charles Antoine Coypel French, Pastel, black chalk, watercolor, and traces of black chalk underdrawing on four joined sheets of handmade blue laid paper, mounted on canvas and adhered to a keyed stretcher — François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795)
Charles Antoine Coypel
1743

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison) — The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50

Medea, Charles Antoine Coypel French, Pastel on brown paper; framing lines in pen and brown ink — Medea
Charles Antoine Coypel
Former Attribution Formerly attributed to Charles Le Brun
ca. 1715

Resurrection Story with Patrons, Kara Walker American, Etching with aquatint, sugar-lift, spit-bite and dry-point, Printed on Hahnemuhle Copperplate Bright White 400gsm paper — Resurrection Story with Patrons
Kara Walker
Printer Gregory Burnet
2017

Joseph Recognized by his Brothers, Charles Antoine Coypel French, Red and black chalk, watercolor, and gouache; squared in pen and black ink — Joseph Recognized by his Brothers
Charles Antoine Coypel
18th century

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