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The Tudors Art and Majesty in Renaissance England
Exhibition

The Tudors: Art and Majesty in Renaissance England

England under the volatile Tudor dynasty was a thriving home for the arts. An international community of artists and merchants, many of them religious refugees, navigated the high-stakes demands of royal patrons, including England’s first two reigning queens. Against the backdrop of shifting political relationships with mainland Europe, Tudor artistic patronage legitimized, promoted, and stabilized a series of tumultuous reigns, from Henry VII’s seizure of the throne in 1485 to the death of his granddaughter Elizabeth I in 1603. The Tudor courts were truly cosmopolitan, boasting the work of Florentine sculptors, German painters, Flemish weavers, and Europe’s best armorers, goldsmiths, and printers, while also contributing to the emergence of a distinctly English style. This exhibition will trace the transformation of the arts in Tudor England through more than 100 objects—including iconic portraits, spectacular tapestries, manuscripts, sculpture, and armor—from both The Met collection and international lenders.

Accompanied by a catalogue.

To access the booklet of all in-gallery labels, click here.

The exhibition is made possible by Alice Cary Brown and W.L. Lyons Brown, Frank Richardson and Kimba Wood, Barbara A. Wolfe, the Diane Carol Brandt Fund, The Coby Foundation, Ltd., The Klesch Collection, Ann M. Spruill and Daniel H. Cantwell, and Sharon Wee and Tracy Fu.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

It is organized by The Metropolitan Museum of Art and The Cleveland Museum of Art, in collaboration with the Fine Arts Museums of San Francisco.

The catalogue is made possible by the Diane W. and James E. Burke Fund.

Additional support is provided by the Hata International Foundation and the Samuel H. Kress Foundation.

Audio Guide

Hear about the portraits of some of the most famous Tudor figures alongside the superb decorative arts produced during this period.

以下でのみ利用可能: English
Cover Image for 580. Introduction

580. Introduction

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NARRATOR:
Welcome to The Tudors: Art and Majesty in Renaissance England.

The year is 1485. Henry Tudor has just seized the throne of England. Henry’s enemies describe him in damning terms:

VOICE 1:
An unknown Welshman whose father I never knew…

NARRATOR: And another referred to Henry Tudor as...

VOICE 2:
Captain of rebels and traitors, descended of bastard blood…

NARRATOR:
But Henry’s new dynasty gained recognition from the world; and it achieved this partly through the magnificence of its art.

ELIZABETH CLELAND:
I'm Elizabeth Cleland and I'm a curator in the Department of European Sculpture and Decorative Arts at The Metropolitan Museum of Art.

One of the things that's so compelling about the Tudors is that they really knew how to use art to project and craft this incredible impression of majesty.

ADAM EAKER:
Hi, my name is Adam Eaker. I’m an associate curator in the Department of European Paintings.

We want to present the Tudor courts as a center of Renaissance innovation and patronage. And introduce our visitors to the incredibly engaging and colorful personalities of this court.

NARRATOR:
And you’ll hear the voices of some of those personalities, in their own words, from first-hand historic accounts from the Tudor period.

This Audio Guide is sponsored by Bloomberg Philanthropies.

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    プレイリスト

A slider containing 14 items.
Press the down key to skip to the last item.
Henry VII, Netherlandish Painter  Netherlandish, Oil on panel
Returned to lender
Unknown Netherlandish Painter
1505
Henry VIII, Hans Holbein the Younger  German, Oil on panel
Returned to lender
Hans Holbein the Younger
ca. 1537
Mary I, Hans Eworth  Flemish, Oil on panel
Returned to lender
Hans Eworth
1554
Elizabeth I ("The Sieve Portrait"), Quentin Metsys the Younger  Netherlandish, Oil on canvas
Returned to lender
Quentin Metsys the Younger
1583
The "Sea-Dog" Table, Jacques Androuet Du Cerceau  French, Walnut wood, gilded silver, marbled inlay
Returned to lender
Designer Designed after Jacques Androuet Du Cerceau
ca. 1575
Saint Paul Directing the Burning of the Heathen Books, from a nine-piece set of the Life of Saint Paul, Pieter Coecke van Aelst  Netherlandish, Wool, silk, silver and gilded silver metal-wrapped threads
Returned to lender
Designer Designed by Pieter Coecke van Aelst
Workshop director Perhaps woven under the direction of Paulus van Oppenem
Before 1539
Portrait Bust of John Fisher, Bishop of Rochester, Pietro Torrigiano  Italian, Polychrome terracotta, British
Pietro Torrigiano
1510–15
Sir Thomas More, Hans Holbein the Younger  German, Oil on panel
Returned to lender
Hans Holbein the Younger
1527
'Abd al-Wahid bin Mas'ood bin Mohammad 'Annouri, Unknown English Artist, Oil on panel
Returned to lender
Unknown
1600
Armor Garniture of George Clifford (1558–1605), 
Third Earl of Cumberland, Jacob Halder  British, Steel, gold, leather, textile, British, Greenwich
Armorer Made under the direction of Jacob Halder
1586
Henry VII Cope, Velvet cloth-of-gold, brocaded with loops of silver-gilt and silver; embroidery on tabby linen in silver-gilt thread and silk
Returned to lender
1499–1505
Elizabeth I ("The Ditchley Portrait"), Marcus Gheeraerts the Younger  Flemish, Oil on canvas
Returned to lender
Marcus Gheeraerts the Younger
ca. 1592
Elizabeth I ("The Rainbow Portrait"), Marcus Gheeraerts the Younger  Flemish, Oil on canvas
Returned to lender
Attributed to Marcus Gheeraerts the Younger
ca. 1602
Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field, Robert Peake the Elder  British, Oil on canvas
Robert Peake the Elder
1603

Latest reviews

No dynasty has better captured the modern imagination.

The New York Times

A glorious show

The Art Newspaper

One of the most exciting exhibits of the fall

Time Out New York

Sumptuous

Elle Decor

Speaks to popular culture’s fascination with fashion, royalty, and fame

Vogue

A dazzling array of visual strategies for rule

Artnet

A focused, cool and refreshing study in the imagery of power

The Wall Street Journal

Exhibition Catalogue

Exhibition Catalogue

This title offers a fascinating new look at the artistic legacy of the Tudors, revealing the dynasty’s influence on the arts in Renaissance England and beyond.

Image Credits
Marquee: Quentin Metsys the Younger. Elizabeth I of England (“The Sieve Portrait”) (detail), 1583. Oil on canvas. Pinacoteca Nazionale di Siena. By permission of Ministry of Cultural Heritage and Activities. Polo museale della Toscana. Photo Pinacoteca Nazionale di Siena