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Deconstructing Michelangelo's process from a Sistine Chapel study

"I can see the humanity in a way, the figure breathing."

Curator Carmen Bambach on Michelangelo's "Studies for the Libyan Sibyl."

Explore this object here.

Throughout 2013, The Met invited curators from across the Museum to each talk about one artwork that changed the way they see the world.


Contributors

Carmen C. Bambach
Curator, Department of Drawings and Prints

Photography by Paul Lachenauer

Photo of Sistine Chapel ceiling by Erich Lessing/Art Resource, NY


In a dim museum gallery, an artist stands at an easel painting a large portrait on canvas, holding a palette. Framed portraits hang on the dark wall behind them. Bold yellow text over the scene reads ‘THE MUSEUM AS MUSE.’
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