κ³΅κ°„μ—μ„œ 연속적인 고유 ν˜•νƒœλ“€

Umberto Boccioni Italian

On view at The Met Fifth Avenue in Gallery 908

λ³΄μ΄ˆλ‹ˆλŠ” 속도, μ›€μ§μž„, μ‘°ν˜•μ μΈ μ—­λ™μ„±μ˜ 좔상적 ν‘œν˜„μ„ μ€‘μ‹œν–ˆλ˜ 미술 μš΄λ™μΈ μ΄νƒˆλ¦¬μ•„ 미래파의 μ£Όμ°½μžμ˜€μŠ΅λ‹ˆλ‹€. λ‹€μž¬λ‹€λŠ₯ν–ˆλ˜ λ³΄μ΄ˆλ‹ˆλŠ” μ†Œλ¬˜, νšŒν™”, 쑰각 μž‘ν’ˆμ„ μ œμž‘ν–ˆμ„ 뿐 μ•„λ‹ˆλΌ μˆ˜λ§Žμ€ 미래파 선언문을 μž‘μ„±ν•˜μ˜€μŠ΅λ‹ˆλ‹€. 전성기에 κ·ΈλŠ” 곡간을 λŒμ§„ν•˜λŠ” 근윑질의 힘찬 쑰각상 μ œμž‘μ— λͺ°λ‘ν•˜λ©΄μ„œ 남성 신체λ₯Ό κ·Ήλ„λ‘œ μ™œκ³‘ν•œ μ‘°ν˜•μ„ 톡해 역동적인 νž˜μ„ κ°•μ‘°ν•˜μ˜€μŠ΅λ‹ˆλ‹€. λ³΄μ΄ˆλ‹ˆμ˜ μ‹€ν—˜μ μΈ 쑰각 쀑 κ°€μž₯ 성곡적인 μž‘ν’ˆμœΌλ‘œ κ°„μ£Όλ˜λŠ” 이 μž‘ν’ˆμ€ 석고 μž‘ν’ˆ ν•œ 점(1913λ…„ μž‘)을 ν¬ν•¨ν•˜λŠ” λ‹€μ„― μž‘ν’ˆ 쀑 ν•˜λ‚˜μž…λ‹ˆλ‹€. 이 μž‘ν’ˆμ€ 1949년에 미래파 μž‘κ°€μΈ 필리포 ν† λ§ˆμ†Œ λ§ˆλ¦¬λ„€ν‹°μ˜ κ°μˆ˜ν•˜μ— μ£Όμ‘°λ˜μ—ˆμœΌλ©°, λ§ˆλ¦¬λ„€ν‹°μ˜ μ»¬λ ‰μ…˜μ—μ„œ 이 μž‘ν’ˆμ„ μΈμˆ˜ν•œ μˆ˜μ§‘κ°€κ°€ 후에 λ©”νŠΈλ‘œν΄λ¦¬νƒ„ 박물관에 κΈ°μ¦ν•˜μ˜€μŠ΅λ‹ˆλ‹€.

Unique Forms of Continuity in Space, Umberto Boccioni (Italian, Reggio 1882–1916 Sorte), Bronze

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Unique Forms of Continuity in Space, Umberto Boccioni (Italian, Reggio 1882–1916 Sorte), Bronze
Unique Forms of Continuity in Space, Umberto Boccioni (Italian, Reggio 1882–1916 Sorte), Bronze

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