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Hyperreality

“That infinite image creates an endless echoing, which is almost dizzying and supernatural.”

Curator Kim Benzel on an Assyrian relief panel.


Contributors

Kim Benzel
Curator in Charge, Department of Ancient Near Eastern Art

Photography by Bruce J. Schwarz


Relief panel, Gypsum alabaster, Assyrian
Assyrian
ca. 883–859 BCE
An ornate blue mythical creature with sweeping wings, curled tail, and patterned feathers fills a worn gold manuscript page beside dark decorative letters.
This small plaque of Mark the Evangelist, represented by a lion holding a book between its wings, stands for many stories that illustrate facets of medieval Christian faith.
Guadalupe Nettel
October 8
White stone figure with wide eyes and a long, ridged beard, clasping his hands across his chest.
An encounter with an ancient devotional figure reminds us that images can stand in for people.
Adam Eaker
October 6
Blue-toned close-up portrait of a bearded person with eyes closed, conveying a quiet, introspective mood through grainy, textured lighting.
Video
In Part 1 of this two-part program on the natural phenomenon of light and its representation in art, Austrian art historian Sir Ernst Gombrich discusses illumination, shadows, and the direction of light source.
September 22
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