This painting has more to do with the act of painting than with the actual narrative

"It's a still image, but I see it in motion."

"It's a still image, but I see it in motion."

Curator Asher Miller on "The Abduction of Rebecca" by Eugène Delacroix.

Explore this object:
https://www.metmuseum.org/art/collection/search/438814

Throughout 2013, The Met invited curators from across the Museum to each talk about one artwork that changed the way they see the world. Each episode is interpreted by a Museum photographer.

Photography by Paul Lachenauer

Subscribe for new content from The Met: https://www.youtube.com/user/metmuseum?sub_confirmation=1

#TheMet #ArtExplained #Art


Contributors

Asher Miller
Associate Curator, Department of European Paintings

A close-up of the Moon's surface shows intricate details against a dark sky. A white electrical cord runs horizontally with a switch in the foreground.
Learn about the decades-long relationship of inspiration and affection between Man Ray and Lee Miller.
Ami Bouhassane
October 10
A collage of blurred images depicts people in various settings, with groups standing near structures and rocky landscapes. The mood is contemplative and somber.
”I wept thinking of the many treks around prison rec yards I’d made with men whose crimes would never be forgiven, for whom freedom sometimes felt as unlikely as sainthood.”
Reginald Dwayne Betts
June 24
More in:Art Explained

A slider containing 1 items.
Press the down key to skip to the last item.
The Abduction of Rebecca, Eugène Delacroix  French, Oil on canvas
Eugène Delacroix
1846