Das Met Fifth Avenue ist am Montag, den 4. Mai, wegen der Met Gala geschlossen. Sehen Sie sich den Livestream vom roten Teppich auf unserer Website an.

Sehen Sie sich den Livestream an
Wir arbeiten daran, diese Seite so schnell wie möglich zu übersetzen. Vielen Dank für Ihr Verständnis.

How To Look Like a 17th-century Woodcut Print

Transform yourself into a seventeenth-century Italian work of art with a step-by-step makeup tutorial and art history lesson on chiaroscuro woodcuts.

Transform yourself into a seventeenth-century Italian work of art. Join Cecilia Zhou, Senior Guide at the Harvard Art Museums, for a step-by-step makeup tutorial and art history lesson on Bartolomeo Coriolano’s chiaroscuro woodcut A sleeping cupid (1630–45). In this tutorial, learn about the precise and complex technique behind chiaroscuro woodcuts through a guided close-looking session, then create your own look with a makeup how-to. Grab your favorite supplies to get started.

© 2021 The Metropolitan Museum of Art


Contributors

Cecilia Zhou
Senior Guide at the Harvard Art Museums

A woman thoughtfully gazes at a painting in a gallery. The painting depicts a lady in a blue skirt and white bonnet pouring liquid by a window.
Video
Join Ana Gasteyer, actress, comedian, and singer, for a look at one of her favorite Met objects.
April 23
Black and white collage of various models
Fashion ephemera from the designer Issey Miyake paint a picture of his career and ethos.
Mika Kiyono
March 18
Female figure with long, dark hair and blue skin stands assertively, eyes wide and tongue out. Her multiple arms hold a sword and severed head, and she wears a necklace and belt of body parts.
Wrathful images of the divine in South Asia are meant to protect and nurture, not to be feared.
Vaishnavi Patil
March 9
More in:FashionInspirationMaterials

A slider containing 1 items.
Press the down key to skip to the last item.
A sleeping cupid, Bartolomeo Coriolano  Italian, Chiaroscuro woodcut in blue-gray and black printed from two blocks
Bartolomeo Coriolano
After Guido Reni
1630–45