A plant of ancient cultivation, grown for some five thousand years and with an equally long presence in art and architecture, the date palm (Phoenix dactylifera) was and is both economically and symbolically important. Date palms have provided an important food, an intoxicating liquor, a sweetener, and a building material. Identified in the ancient Near East with the Tree of Life, the palm has both religious and artistic significance in Jewish, Islamic, and Christian tradition as a symbol of grace, elegance, victory, wealth, and fecundity and is frequently associated with Paradise in medieval and Renaissance art and literature. There are forty-two Biblical references to the date palm (Moldenke and Moldenke, Plants of the Bible, 1952). An emblem of victory in Greco-Roman tradition, the palm was adopted as one of the earliest and most important plant symbols in the Christian Church, and was an emblem of the martyred saints in their victory over sin and death.
The palm is native from North Africa eastward to Asia Minor, Arabia, and Iraq, and has been introduced into many other places that enjoy a Mediterranean climate, including California, Mexico, and Australia. The botanical name of the genus is not thought to derive from the mythical bird, but rather from the Greek designation for Phoenicia (Anderson, German Herbals to 1500, 1984).
Although dates do not seem to have a wide application in medieval medicine, regimens like the Tacuinum Sanitatis recognize their value as a food stuff and recommend sweet, fresh dates as the best kind. Classified as cold in the first degree and dry in the second, fresh dates are said to be good for the intestines, although bad for the chest and the throat. The danger could be mitigated by eating the dates with honey (Luisa Cogliati Arano, Tacuinum Sanitatis: The Medieval Health Handbook, 1976).
Photograph by Barbara Bell
The fern-like plants growing in the meadow in which the hunters and their dogs gather to hunt the Unicorn do not correspond to any European species of fern. E. J. Alexander and Carol H. Woodward, two botanists at The New York Botanical Garden who compiled a botanical key to the flora of the Unicorn Tapestries published in 1941, believed them to be young date palms that would have been reared from the seeds of dates imported from the East (Adolfo S. Cavallo, The Unicorn Tapestries, 1998). The date palm is not the only exotic species depicted growing alongside the native trees in the landscape of the tapestries; pomegranates are shown as well. While rare and unusual trees were planted in medieval hunting parks, neither of these two species would have been hardy in northern Europe. They may have been included for symbolic reasons.
The Hunters Enter the Woods (from the Unicorn Tapestries) (Detail), 1495–1505. French (cartoon); Southern Netherlandish (woven). Wool warp, wool, silk, silver, and gilt wefts, 145 x 124 in. (368.3 x 315cm). The Metropolitan Museum of Art, New York, Gift of John D. Rockefeller Jr., 1937 (37.80.1)