ticketsMember | Make a donation

Revisiting Art for the Community

The Met’s groundbreaking traveling exhibitions toured New York City between 1933 and 1942.
Various contributors
1 hour 3 min. watch

For the first day of the Annual Textile Conservation Colloquium, a variety of Met specialists discuss their roles and the collaborative process behind the exhibition Art for the Community: The Met's Circulating Textile Exhibitions, 1933–42. In this conversation learn more about The Met's groundbreaking traveling exhibitions around New York between 1933 and 1942.

Featuring:
Giulia Chiostrini, Associate Conservator, Textile Conservation, The Met
Elizabeth Cleland, Curator, European Sculpture and Decorative Arts, The Met
Eva Labson, Senior Collections Manager, Ratti Textile Center, The Met
Stephanie Post, Senior Digital Asset Specialist, The Met

This colloquium is made possible by the generous support of the Lenore G. Tawney Foundation.

© 2021 The Metropolitan Museum of Art

Contributors

Giulia Chiostrini
Assistant Conservator, Department of Textile Conservation
Elizabeth Cleland
Associate Curator, Department of European Sculpture and Decorative Arts
Stephanie Post
Senior Digital Asset Specialist, Digital
Eva Labson
Senior Collections Manager, Ratti Textile Center

More from The Met

Medieval-style hall with brick arches and statues, illuminated by lanterns arranged around a central stone structure.
A Medieval Imagination
Discover how American sculptor George Grey Barnard’s fascination with medieval European art inspired an enterprising collection and the eventual foundation of The Met Cloisters.
Shirin Fozi and Julia Perratore
November 13
Black and white image with white text, with man wearing all black looking at the camera poised.
Video
Raul Lopez of LUAR Explores Superfine
October 21
A graffitied concrete wall in a blacktop court, surrounded by chain-link fencing. Rows of hands expressing different signs fill the court in front of the wall.
Revisiting Attorney Street
”The city has changed so much in the years since you last lived here that no structure can be taken for granted. But the wall is still standing, coated with a patchwork of paint...“
Lisa Hsiao Chen
October 7
More in:Public SpaceGardensFrom the ArchivesLectures & Symposia