Why the brick lions that protected the streets of Babylon feel alive

"It always had this possibility to come alive in a very real sense."

"It always had this possibility to come alive in a very real sense."

Curator Sarah Graff on two panels with striding lions.

Featured artworks:
https://www.metmuseum.org/art/collection/search/322585
https://www.metmuseum.org/art/collection/search/322586

Throughout 2013, The Met invited curators from across the Museum to each talk about one artwork that changed the way they see the world. Each episode is interpreted by a Museum photographer.

Photography by Peter Zeray

"Dawn over the Euphrates, Babylon, 1900" by Walter Andrae courtesy of Berlin State Library, Department of Manuscripts, Walter Andrae estate

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Contributors

Sarah Graff
Associate Curator, Department of Ancient Near Eastern Art

A collage of blurred images depicts people in various settings, with groups standing near structures and rocky landscapes. The mood is contemplative and somber.
I wept thinking of the many treks around prison rec yards I’d made with men whose crimes would never be forgiven, for whom freedom sometimes felt as unlikely as sainthood.
Reginald Dwayne Betts
June 24
Two women in opulent dress and jewelry sit facing each other on a patterned carpet
Shimmering jewels in Pahari School paintings.
Olivia Dill and Marina Ruiz Molina
May 27
Futuristic sculpture of a fragmented, abstract human form in stone against a neoclassical arch. The tone is dynamic and modern amidst classical architecture.
How do Lee Bul’s sculptures hold space for critical remembrance to show how the past shapes our present?
Anne Anlin Cheng
May 16
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Panel with striding lion, Ceramic, glaze, Babylonian
Babylonian
ca. 604–562 BCE
Panel with striding lion, Ceramic, glaze, Babylonian
Babylonian
ca. 604–562 BCE