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How Winslow Homer evokes the power of nature with just a few elements

“The sea is a universal realm, and it's a place that we don't really understand.”

"The sea is a universal realm, and it's a place that we don't really understand."

Curator H. Barbara Weinberg explains Winslow Homer's "Northeaster."

Featured artwork:
https://www.metmuseum.org/art/collection/search/11130

Throughout 2013, The Met invited curators from across the Museum to each talk about one artwork that changed the way they see the world. Each episode is interpreted by a Museum photographer.

Photography by Paul Lachenauer

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Contributors

H. Barbara Weinberg
Curator Emerita of American Paintings and Sculpture, The American Wing

Vintage photo of a busy city park walkway lined with trees. People in formal 1900s attire, including hats and suits, walk and sit on benches.
Video

Tour of Central Park with historian Charles Beveridge exploring Olmsted's design and history today.

April 22
Pop art portrait of a woman with bright orange hair, turquoise skin, pink lips, and lavender eyeshadow on a pink background.
How do works in The Met collection trace the shifting associations of blonde glamour in Western art?
Lynda Nead
February 2
A small wooden carved box featuring figures and a tree in relief.
The author of After Sappho offers a queer feminist reading of Eve and the serpent, reimagining sin as likeness, desire, and bodies transcending gender and species.
Selby Wynn Schwartz
January 9
More in:82nd and Fifth: Art ExplainedInspirationArt-MakingNature

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Northeaster, Winslow Homer  American, Oil on canvas, American
Winslow Homer
1895; reworked by 1901