Plaque with the Crucifixion and the Holy Women at the Tomb
The figures on this late Carolingian plaque are carved in a stately style and are defined by simple, linear draperies. Because of its size, format, and the nature of its subject, this plaque most likely served as the central decoration on the front cover of an evangelary. It depicts an allegorical crucifixion, a common theme in Metz ivories. Above the cross are bust-length personifications of the sun and the moon. From Christ's right side flows a stream of blood and water, which is caught by a personification of the Church. To the immediate right of Christ is the hooded figure of Synagogue, her body turning away. The entire group is flanked by the Virgin and St. John, executed in larger scale. Below them are Longinus with his lance, Stephaton with the sponge, and figures emerging from circular mausolea, a reference to the resurrection of the dead at the Last Judgment. The snake spiraled around the foot of the cross symbolizes Christ's triumph over death and evil. In the lower register, the three Maries appear at the tomb of Christ, a scene which is rarely combined with the Crucifixion in Carolingian art.
Artwork Details
- Title: Plaque with the Crucifixion and the Holy Women at the Tomb
- Date: ca. 870
- Geography: Made in northern France
- Culture: Carolingian
- Medium: Elephant ivory
- Dimensions: Overall: 9 3/8 x 4 13/16 x 1/4 in. (23.8 x 12.3 x 0.6 cm)
- Classification: Ivories-Elephant
- Credit Line: Purchased jointly by The Metropolitan Museum of Art (The Cloisters Collection) and the Réunion des Musées Nationaux de France (Palais du Louvre), 1974
- Object Number: 1974.266
- Curatorial Department: Medieval Art and The Cloisters
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Carolingian
ca. 850–900
Carolingian
early 9th century
North Italian
early 10th century
French
ca. 850–900
Spanish
ca. 950–75
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