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Templo de Dendur

Roman Period

Baixa Núbia, Dendur

ca. 15 a.C.

On view at The Met Fifth Avenue in Gallery 131

O Templo de Dendur foi um presente do Egito para os Estados Unidos em reconhecimento pela ajuda prestada para salvar os monumentos da Núbia. Se não tivesse sido removido, este templo teria sido submerso pelas águas Nilo para construir a represa de Assuan. Embora seja de pequeno tamanho se comparado com os templos que ainda permanecem no Egito, Dendur apresenta todos os componentes essenciais de um templo: um pórtico (pronaos), uma câmara para as oferendas e um santuário. As colunas são completadas por capitéis vegetais e os relevos nas paredes mostram o faraó fazendo oferendas ao deus Thoth de Pnubs.

#103. The Met Fifth Avenue, Tour com Destaques da Coleção do Museu, Primeiro Andar

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The Temple of Dendur, Aeolian sandstone — This image cannot be enlarged, viewed at full screen, or downloaded.

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

The Temple of Dendur, Aeolian sandstone

This artwork is meant to be viewed from right to left. Scroll left to view more.

Vignette on the interior south wall of the porch showing August (left) burning incense in front of the deified figures of Pedesi and Pihor.

Vignette on the back wall of the sanctuary showing Augustus offering to the goddess Isis.

temple building from front, evening

The Temple of Dendur as seen in the evening between two statues of Amenhotep III (22.5.1, 22.5.2).

View looking into the temple sanctuary with the small statue of the God's Wife Tagerem (2010.18) visible in the center.

Decoration around the outside of the southern door leading into the temple porch.

Two vignettes depicting offering scenes on the southern wall of the temple.

Coloring the Temple: This display shows one vignette on the south wall of the temple colored by light to suggest how it might have looked when painted in the Roman Period.

Vigentte on the south wall of the temple showing the king offering to Osiris and Isis.

Vignette showing Augustus (right) offering to the god Thoth and the goddess Tephenis.

Demotic graffito on north wall of porch.

19th Century graffiti including J. Livingston, January 7, 1818.

19th Century graffiti.

19th Century graffiti, including Droveti, 1816.

Construction of the Dendur Wing, 1974.

Blocks laid out in preparation for reconstruction of the temple, 1974.

Reassembled temple before completion of the Dendur Wing, 1978.

Coptic inscription

This image cannot be enlarged, viewed at full screen, or downloaded.

Frederick Lewis Norden, Voyage d'Egypte et de Nubie (London, 1757), plate CLI (151).

This image cannot be enlarged, viewed at full screen, or downloaded.

Franz Christian Gau, Antiquités de la Nubie (Stuttgart, 1822), plate 24.

This image cannot be enlarged, viewed at full screen, or downloaded.

Franz Christian Gau, "Dendur, interior view of the porch," in Antiquités de la Nubie (Stuttgart, 1822), plate 25b.

This image cannot be enlarged, viewed at full screen, or downloaded.

David Roberts, Egypt & Nubia, vol. 2 (London: F.G. Moon, 1846–49), plate 20.

This image cannot be enlarged, viewed at full screen, or downloaded.

Amelia B. Edwards, A Thousand Miles up the Nile (New York, 1877), 548.

Título: Templo de Dendur

Período: Período romano

Data: ca. 15 a.C.

Geografia: Baixa Núbia, Dendur

Meio: Pedra arenito eólico

Dimensões: 25 m de largura da porta até a parte de trás do templo

Linha de créditos: Doado aos Estados Unidos pelo Egito em 1965, concedido ao Metropolitan Museum of Art em 1967 e instalado na ala Sackler em 1978

Número de acesso: 68.154

Illustrated portrait of Josh Livingston

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Cool off this summer with an air-conditioned tour of all the water features at The Met Fifth Avenue.

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Stories in Stone: How an Egyptian Temple Tells Its Story

Christina Marinelli, program associate for academic and professional programs in the Education Department, writes about the stories that the walls of the Temple of Dendur illustrate.

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MediaLab Volunteer Brian Hughes discusses his project, /Metcraft, which is the first step in developing the Minecraft gaming platform as a teaching and outreach tool.

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The Temple of Dendur: From the Nile to NYC in 360°

Nina Diamond, writer and editor in the Digital Department, takes readers through the production process of The Met's first Facebook 360° video, which highlights The Temple of Dendur.

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Working It: Teens Take The Met

Former High School Interns Nichole, Aly, and Gabby discuss their experience managing a Teens Take The Met activity.

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Color The Temple: Using Projected Light to Restore Color

Former MediaLab Intern Matt Felsen describes how he worked with Former MediaLab Intern Maria Paula Saba and Chester Dale Fellow Erin Peters to restore color on The Temple of Dendur in their project Color The Temple.

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Alarm Will Sound Artistic Director Alan Pierson looks back on the group's yearlong exploration of the Museum.

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I Was Here I Was I to Channel The Temple of Dendur's History

Meryl Cates, coordinator of marketing for Met Museum Presents, highlights The Temple of Dendur's relocation from Egypt to the Met, and how the beloved artifact inspired the upcoming opera production, I Was Here I Was I.

Black and white photograph of exhibition designer Dan Kershaw in The Met galleries

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View of The Temple of Dendur at dusk

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On April 28, 1967, United States President Lyndon B. Johnson awarded an ancient Egyptian temple built in the first century B.C.—a gift from Egypt to the United States—to The Metropolitan Museum of Art. Today the structure, the Temple of Dendur, is one of the iconic and most beloved works of art at The Met.

Detail of temple wall depicting Augustus (right) burning incense and pouring milk for the god Osiris (center) and the goddess Isis (left)

The Temple's Cult and Decoration

Isabel Stünkel, Associate Curator, Department of Egyptian Art

A black and white photograph of the view of the Temple of Dendur on the Nile river.

The Temple of Dendur: Architecture and Ritual

Dieter Arnold, Curator Emeritus, Department of Egyptian Art; and Adela Oppenheim, Curator, Department of Egyptian Art

A typed letter signed by Lyden B. Johnson of the Temple of Dendur being housed in The Met

A Monumental Gift to The Met

Diana Craig Patch, Lila Acheson Wallace Curator in Charge, Department of Egyptian Art

A black and white image depicting two men joining fragments of a block from the temple prior to its reassembly in the 1970s

Conserving the Temple: A History

Anna Serotta, Assistant Conservator, Department of Objects Conservation

The Temple of Dendur, Roman Period, reign of Augustus Caesar, ca. 15 B.C. Egypt, Nubia, Dendur, west bank of the Nile River, 50 miles south of Aswan. Aeolian Sandstone; L. from gate to rear of temple 24 m 60 cm (82 ft.). Given to the United States by Egypt in 1965, awarded to The Metropolitan Museum of Art in 1967 (68.154)

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"The Temple of Dendur"

"The Temple of Dendur"

"Dendur: The Six-Hundred-Forty-Third Stone"

"Dendur: The Six-Hundred-Forty-Third Stone"

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Egyptian Art at The Met

The Met's collection of ancient Egyptian art consists of approximately 26,000 objects of artistic, historical, and cultural importance, dating from the Paleolithic to the Roman period.