Earrings with Assyrian motifs
Following the excavation of Assyrian palaces in the mid-nineteenth century, ancient Mesopotamian imagery began to be used in European decorative arts, including jewelry and ceramics. Publicity in the form of news coverage and popular books around the excavations, removal of many sculptures from sites in northern Iraq to England and France, and public spectacles such as the reconstructed ‘Nineveh Court’ in the Crystal Palace at Sydenham, London, fostered a fascination with Assyria and Assyrian art among the Victorian public.
One of these earrings features a human-headed winged lion based on the famous lamassu gateway guardian figures found in the Assyrian palaces, while the other shows a less common protective figure with the legs and body of a lion and a human upper body and head, identified in texts as urmahlullu, as well as a plant motif.
One of these earrings features a human-headed winged lion based on the famous lamassu gateway guardian figures found in the Assyrian palaces, while the other shows a less common protective figure with the legs and body of a lion and a human upper body and head, identified in texts as urmahlullu, as well as a plant motif.
Artwork Details
- Title: Earrings with Assyrian motifs
- Period: Victorian
- Date: ca. 1850–1880
- Culture: British
- Medium: Gold
- Dimensions: Each Dia. ca. 1 in. (2.5 cm)
- Credit Line: Henrietta and Christopher McCall Collection, Purchase, Bequest of Henrie Jo Barth, and Museum Acquisitions and Josephine Lois Berger-Nadler Endowment Funds, 2023
- Object Number: 2023.687a, b
- Curatorial Department: Ancient West Asian Art
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British
ca. 1870–1875
British
ca. 1850–1880
British
ca. 1868–1880
British
ca. 1870
British
ca. 1870
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