Bannerstone, Single-Notched Butterfly

Made between 6000 and 1000 BCE, bannerstones are amongst the oldest finely carved lithics in the Americas. Indigenous Archaic North Americans created them from Michigan to the tip of Florida and from the Mississippi Valley over to the Atlantic coast. They carved and polished them with a peck and grind technology using a vast range of materials from soft sedimentary shale, to metamorphic slate or harder rock such as granite or quartz. Though bannerstones have been found in twenty-four different shapes, each one is a unique composition where sculptors appear to delight in the interplay of geologic characteristics in relation to the forms they sculpt. Using a hollow river reed, twisting it back and forth between their hands, adding water and sand to bite into the stone, they would drill a 1 to 2 centimeter hole down the center of the bannerstones for them to be hafted onto a shaft and hoisted to be seen. In some Archaic burials, bannerstones were found intentionally broken at the perforation where they are most fragile and carefully placed next to or on the body of the dead. This mortuary ritual use of bannerstones placed with and beside men, women, and children, attest to their importance in life and to their role in the act of mourning and remembrance. Some bannerstones were found in other burials aligned with atlatls, throwing sticks that extend the flight of a spear, leading scholars to hypothesize that they may have been hafted to atlatls as accessories or weights. Many bannerstones are far too large or small to be used in this manner leaving open the question of why they were only made in the Archaic period in Eastern North America and ceased to be made after 1000 BCE when atlatl use would continue for several centuries before the advent of the bow and arrow. Many bannerstones were found in areas at great distances from the geologic origin of the stone, revealing deep interest in stone texture and color and long distance travel and trade amongst Archaic sculptors. Whatever their purpose, the thousands of bannerstones in private and public collections are testament to the importance of stone for individual aesthetic expression during the Archaic Period in North America.

The matte greenish black phyllite stone of this Single-Notched Butterfly bannerstone has fine, barely perceptible dark banding and cloudy off-white inclusions that would have drawn the attention of an Archaic sculpture who carved the symmetrical flanges into thin wings that are slightly bowed. The sculptor accentuated the center with a pointed ridge parallel to where they drilled a hole for hafting onto a shaft. The flanges of this bannerstone are exceedingly thin and difficult to achieve, testament to the experience and aesthetic sensibility of the sculptor. There are chips along the edges and perforation, signs of use in the Archaic period. On the inner side of the notch 1979.206.1129, the Museum’s accession number, is written in red. On one side of the stone Tiffin, Ohio is written in white, referring to a city in Seneca County where this bannerstone was presumably found and first collected in the 19th or early 20th century.

Anna Blume, Professor of the History of Art, Fashion Institute of Technology, State University of New York 2023

References and Further Reading

Knoblock, Byron. Bannerstones of the North American Indian. LaGrange: LeGrange: Bryon Knoblock, 1939.

Lutz, David L. The Archaic Bannerstone: Its Chronological History and Purpose From 6000 B.C. to 1000 B.C. Newburg: David L. Lutz, 2000.

Sassaman, Kenneth. “Craftworks of Structure.” The Eastern Archaic Historicized. New York: AltaMira Press, 2010, pp. 97-142.

Bannerstone Project. Fashion Institute of Technology, https://bannerstone.fitnyc.edu/