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Della Introduzione; Vignette (head-piece): Pinna or Etruscan acroterion in the possession of Matthew Nulty, English painter in Rome, page 17 from "Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe..." (Observations of Giovanni Battista Piranesi on the Letter of M. Mariette to the authors of the Gazette Littéraire de l'Europe...)

1765
Not on view

Artwork Details

Object Information
  • Title: Della Introduzione; Vignette (head-piece): Pinna or Etruscan acroterion in the possession of Matthew Nulty, English painter in Rome, page 17 from "Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe..." (Observations of Giovanni Battista Piranesi on the Letter of M. Mariette to the authors of the Gazette Littéraire de l'Europe...)
  • Series/Portfolio: Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe, Inserita nel Supplemento dell'istessa Gazzetta stampata Dimanche 4 Novembre MDCCLIV. E Parere su l'Architettura, con una Prefazione ad un nuovo Trattato della introduzione e del progresso delle belle arti in Europa ne'tempi antichi
  • Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome)
  • Date: 1765
  • Medium: Etching
  • Dimensions: sheet: 21 5/8 x 15 3/4 in. (55 x 40 cm)
    plate: 6 5/16 x 8 9/16 in. (16 x 21.7 cm)
  • Classification: Prints
  • Credit Line: Rogers Fund, transferred from the Library
  • Object Number: 41.71.1.7(51)
  • Curatorial Department: Drawings and Prints
More Artwork
Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London), Giovanni Battista Piranesi  Italian, Etchings and engravings
Giovanni Battista Piranesi
Domenico Cunego
1761, 1765
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Lobster-Tail Burgonet, Steel, leather, gold, North Italian
North Italian
ca. 1610
Seated Giant, Goya (Francisco de Goya y Lucientes)  Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Coat of Arms of Clement XIII (Rezzonico), Giovanni Battista Piranesi  Italian, Pen and ink and gray wash
Giovanni Battista Piranesi
1758–69

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