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Marie Emilie Coignet de Courson (1716–1806) with a Dog

ca. 1769
On view at The Met Fifth Avenue in Gallery 631

Fragonard’s so-called fantasy portraits are electric performances: brushed with virtuosity, panache, and speed, he reworked the surface while the paint remained wet, including by incising lines into the large white ruff. The theatrical costume recalls Queen Maria de’ Medici’s court dress from over a century earlier, as depicted in a series of paintings by Peter Paul Rubens that Fragonard saw in the French royal collections. A recently discovered drawing makes it possible to identify this woman as the aristocratic salon hostess Marie Emilie Coignet de Courson. Fragonard’s painterly performance arguably outshines her, however, making this a kind of artist’s self-portrait.

Artwork Details

Object Information
  • Title: Marie Emilie Coignet de Courson (1716–1806) with a Dog
  • Artist: Jean Honoré Fragonard (French, Grasse 1732–1806 Paris)
  • Date: ca. 1769
  • Medium: Oil on canvas
  • Dimensions: 32 x 25 3/4 in. (81.3 x 65.4 cm)
  • Classification: Paintings
  • Credit Line: Fletcher Fund, 1937
  • Object Number: 37.118
  • Curatorial Department: European Paintings
More Artwork
A Shaded Avenue, Jean Honoré Fragonard  French, Oil on wood
Jean Honoré Fragonard
ca. 1775
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788), Adélaïde Labille-Guiard  French, Oil on canvas
Adélaïde Labille-Guiard
1785
The Toilette of Venus, François Boucher  French, Oil on canvas
François Boucher
1751
The Stolen Kiss, Jean Honoré Fragonard  French, Oil on canvas
Jean Honoré Fragonard
ca. 1760

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