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4,358 results for john marin

Image for Digital Art Copyism: Making Your Own *Super Mario Clouds*
editorial

Digital Art Copyism: Making Your Own Super Mario Clouds

June 26, 2014

By Jonathan Dahan

Former Media Technology Developer Jonathan Dahan takes readers through his step-by-step process for making a new version of Cory Arcangel's Super Mario Clouds.
Image for Making Portraits Personal with Guest Contributor John Parra
Award-winning illustrator John Parra shows #MetKids how portraits can reveal more than just what a person looks like.
Image for The Artist Project: Mariko Mori
Artist Mariko Mori reflects on Botticelli's _The Annunciation_ in this episode of The Artist Project.
Image for The Atelier with Alina Cho: Christopher John Rogers
video

The Atelier with Alina Cho: Christopher John Rogers

June 28, 2022

By Alina Cho and Christopher John Rogers

Join journalist Alina Cho and fashion designer Christopher John Rogers for a conversation about the acclaimed designer’s upbringing and the launch of his brand.
Image for The Artist Project: John Currin
video

The Artist Project: John Currin

February 29, 2016
Artist John Currin reflects on Ludovico Carracci's _The Lamentation_ in this episode of The Artist Project.
Image for The Artist Project: John Baldessari
Artist John Baldessari reflects on Philip Guston's _Stationary Figure_ in this episode of The Artist Project.
Image for Meet the Artists: John Jennings
Meet John Jennings, bestselling author and illustrator whose graphic novella "Protocol and Response"—featured in The Met's latest Bulletin, dedicated to "Before Yesterday We Could Fly: An Afrofuturist Period Room"—animates the objects on display in the installation.
Image for The Biggest Challenge Yet: Illustrator John Kerschbaum on Drawing the Met
Masha Turchinsky, senior manager for Digital Learning, talks with illustrator John Kerschbaum about how he created the kid-friendly map featured on #MetKids.
Image for John Townsend: Newport Cabinetmaker
John Townsend: Newport Cabinetmaker is a landmark presentation of a supreme cabinetmaker. It presents a catalogue of the documented oeuvre of John Townsend (1733–1809), the great Newport cabinetmaker, and describes the community of skilled makers in which he worked. It gives an unparalleled views of the physical and economical realities of Newport and of the artisanal culture that nourished cabinetmakers who were among the best to ever work in America. Between 1756 and 1800 John Townsend signed his name to more than thirty pieces of furniture of his own making. These signatures document a remarkable body of work, securing for him a special place in the history of American cabinetmaking. And this is precisely what he intended. The signed examples are, virtually without exception, pieces of the highest quality. His habit of adding the date suggests an acute historical awareness and a determination to document his legacy. Townsend seems to have sought perfection compulsively, and his hallmarks are precision, elegance, and fastidious attention to detail. Labor-intensive refinements are evident in the interiors as well as the exteriors of every documented piece. Here lengthy discussions of materials and construction practices elucidate the personal style that placed Townsend apart from other Newport joiners. John Townsend was among the most prominent of the large group of cabinetmakers that brought fame to Newport. Boston had long set the style in cabinetmaking and much else in New England, but in the 1750s and 1760s Newport experienced an extraordinary period of prosperity during which it challenged Boston standards. The bonnet-top high chest, the most fashionable and enduringly popular piece of eighteenth-century case furniture, had been developed in Boston. Newport took this innovation and made it altogether richer and more memorable by adding a shell motif to the blocking. This shell, so evident in Townsend's work, became the signature feature, the emblem of Newport furniture. There were at least ten other joiners, including John's father, Christopher, in the extended Townsend family. The cabinetmaker John Goddard, later widely renowned, married one of John's cousins. Complex business and familiar relationships existed between the various members of the family and their shops. This dense environment has been difficult to explore, and works by the lesser-known Townsends and Goddards began to be identified only in the 1980s. The Newport group of cabinetmakers is examined in detail in this publication, with period documents and maps that bring a new clarity to this complicated milieu. The collateral material includes a Townsend family tree, transcriptions of the wills of Christopher and John Townsend, and a history of the furniture that descended in the Townsend family. An essay on the critical fortunes of Newport furniture and a historical bibliography trace the growth of Townsend's reputation. Numerous works by John Townsend's contemporaries are illustrated, giving a detailed look at the differences and similarities among various approaches to the same forms. New photography allows Townsend's masterpieces to be seen more accurately and richly than ever before; numerous depictions of undersides and inlays are published for the first time.
Image for Brooklyn Bridge

John Marin (American, Rutherford, New Jersey 1870–1953 Cape Split, Maine)

Date: ca. 1912
Accession Number: 49.70.105

Image for John Marin

Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York)

Date: 1921–22
Accession Number: 49.55.39

Image for John Marin

Marius de Zayas (Mexican, Veracruz 1880–1961 Stamford, Connecticut)

Date: 1910
Accession Number: 49.70.203

Image for Marin Island, Maine

John Marin (American, Rutherford, New Jersey 1870–1953 Cape Split, Maine)

Date: 1917
Accession Number: 49.70.116

Image for John Marin and Alfred Stieglitz

Marius de Zayas (Mexican, Veracruz 1880–1961 Stamford, Connecticut)

Date: ca. 1912–13
Accession Number: 49.70.183

Image for John Marin at Cape Split

Herbert J. Seligmann (American, 1891–1984)

Date: 1930s
Accession Number: 58.556.9

Image for John Marin Painting Mt. Katahdin

Herbert J. Seligmann (American, 1891–1984)

Date: 1930s
Accession Number: 58.556.8

Image for Alfred Stieglitz and John Marin

Herbert J. Seligmann (American, 1891–1984)

Date: 1930s
Accession Number: 58.556.2

Image for Circus Horses

John Marin (American, Rutherford, New Jersey 1870–1953 Cape Split, Maine)

Date: 1936
Accession Number: 49.70.229

Image for Sea and Gulls

John Marin (American, Rutherford, New Jersey 1870–1953 Cape Split, Maine)

Date: 1942
Accession Number: 49.70.230