The area known as the western Sudan encompasses the broad expanse of savanna that stretches between the vast Sahara Desert to the north and the tropical rainforests of the Guinea coast to the south. Its name comes from bilad-al-sudan, or “Land of Blacks,” the term used by the Arabic travelers, geographers, and historians who first wrote of the region’s history. In spite of tantalizing archaeological remains, our understanding of the great medieval kingdoms of the western Sudan remains dependent upon and limited by these early written sources. The period prior to Islamic contact is still largely unknown.
The medieval empires of Ghana, Mali, and Songhai that controlled the western Sudan had no fixed geopolitical boundaries or singular ethnic or national identities. Although each empire possessed important political and economic centers, such as Ghana’s Kumbi Saleh and Songhai’s Gao, it is not certain that these were permanent capitals. Instead, the empires may have had “floating” capitals that shifted between a number of urbanized centers or traveled with their ruling monarchs. Above all, the empires of the western Sudan were unified by strong leadership, kin-based societies, and the trade routes they sought to dominate.
Trans-Saharan Trade
The importance that contact with the Islamic world held for these empires cannot be understated. While extensive trading networks undoubtedly predated Arabic involvement, the development of trans-Saharan commerce in the seventh century by Arabs and Berbers intensified and expanded the trading networks that made the empires of the western Sudan possible. The savanna region is naturally hospitable to both agriculture and livestock breeding and is ideally situated for trade. An easily traversed region separating radically different environments, each possessing resources and products badly needed by the other, it is likely that the savanna was an important trading arena long before the first camel caravans arrived from northern Africa (3rd to 4th century A.D.).
Although a rich diversity of goods were exchanged, all the empires of the western Sudan were primarily based upon control of the lucrative trans-Saharan trade in gold and salt. Gold, mined predominantly in southern West Africa, was much sought after by both African rulers and traders bound for northern Africa and Europe. Salt was essential in the regions south of the Sahara both as a dietary supplement and a preservative. Strategically located between southern gold-producing regions and Saharan salt mines like Taghaza, the kingdoms of the western Sudan were well positioned to amass great wealth through the taxation of imports and exports.
Securing vast trading territories required mobility, and if the camel facilitated trans-Saharan trade, it was the horse that enabled empires to dominate it. Horses were so highly prized that only the wealthy and powerful could own them, and the impressive cavalries of such rulers as the Soso king Sumanguru Kante and the Songhai emperor Sonni ‘Ali Ber are well remembered in written and oral histories. In sculptural arts, the importance of horses came to be reflected in numerous depictions of stately figures on horseback. Equestrian figures carved of wood or cast in metal became important emblems of power and were produced for centuries throughout the western Sudan.
For more information concerning the complex history of Islam and Africa, see Trade and the Spread of Islam.
Department of the Arts of Africa, Oceania, and the Americas. “The Empires of the Western Sudan.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/wsem/hd_wsem.htm (October 2000)
Prussin, Labelle. Hatumere: Islamic Design in West Africa. Berkeley: University of California Press, 1986.
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Department of Arts of Africa, Oceania, and the Americas. “La Venta: Sacred Architecture.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “La Venta: Stone Sculpture.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Monte Albán.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Monte Albán: Sacred Architecture.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Monte Albán: Stone Sculpture.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Teotihuacan.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Teotihuacan: Ciudadela.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Teotihuacan: Mural Painting.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Teotihuacan: Pyramids of the Sun and the Moon.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Valdivia Figurines.” (October 2004)
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Department of Arts of Africa, Oceania, and the Americas. “Hopewell (1–400 A.D.).” (October 2002)
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Department of Arts of Africa, Oceania, and the Americas. “Indian Knoll (3000–2000 B.C.).” (October 2003)
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Department of Arts of Africa, Oceania, and the Americas. “Poverty Point (2000–1000 B.C.).” (October 2003)
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Department of Arts of Africa, Oceania, and the Americas. “African Rock Art.” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “African Rock Art: Tassili-n-Ajjer (?8000 B.C.–?).” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “African Rock Art: The Coldstream Stone.” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “Apollo 11 (ca. 25,500–23,500 B.C.) and Wonderwerk (ca. 8000 B.C.) Cave Stones.” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “The Monumental Stelae of Aksum (3rd–4th Century).” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “Tikal.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Tikal: Sacred Architecture.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Tikal: Stone Sculpture.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Art and the Fulani/Fulbe People.” (October 2002)
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Department of Arts of Africa, Oceania, and the Americas. “Great Zimbabwe (11th–15th Century).” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Ife Pre-Pavement and Pavement Era (800–1000 A.D.).” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Foundations of Aksumite Civilization and Its Christian Legacy (1st–8th Century).” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “Ife (from ca. 6th Century).” (originally published October 2000, last revised September 2014)
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Department of Arts of Africa, Oceania, and the Americas. “Inland Niger Delta.” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “Lydenburg Heads (ca. 500 A.D.).” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “Nok Terracottas (500 B.C.–200 A.D.).” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “The Empires of the Western Sudan: Ghana Empire.” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “The Empires of the Western Sudan: Mali Empire.” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “The Empires of the Western Sudan: Songhai Empire.” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “The Trans-Saharan Gold Trade (7th–14th Century).” (October 2000)
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Department of Arts of Africa, Oceania, and the Americas. “Trade and the Spread of Islam in Africa.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Mangarevan Sculpture.” (October 2003)
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Department of Arts of Africa, Oceania, and the Americas. “Tahiti.” (October 2003)
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Department of Arts of Africa, Oceania, and the Americas. “Cave Sculpture from the Karawari.” (October 2003)
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Department of Arts of Africa, Oceania, and the Americas. “The Fulani/Fulbe People.” (October 2002)
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Department of Arts of Africa, Oceania, and the Americas. “Great Serpent Mound.” (October 2002)
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Department of Arts of Africa, Oceania, and the Americas. “Ancient American Jade.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Jade in Costa Rica.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “Jade in Mesoamerica.” (October 2001)
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Department of Arts of Africa, Oceania, and the Americas. “La Venta.” (October 2001)