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Showing 5,620 results for preparatory-study
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The Martyrdom of Saint Paul, Taddeo Zuccaro  Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
Taddeo Zuccaro
ca. 1557–58
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec  French, Oil on cardboard
Henri de Toulouse-Lautrec
1892
Preparatory Study for a Portrait of Man Singh and His Harem, Ink and opaque watercolor on paper, pricked for transfer, India (Rajasthan, Jodhpur)
India (Rajasthan, Jodhpur)
1810–15
Study for "Poseuses", Georges Seurat  French, Conté crayon on laid paper.
Georges Seurat
1886–87
Preparatory Study for Plate 34 in "Maisons de plaisance" Vol. II, Jacques François Blondel  French, Red chalk
Jacques François Blondel
18th century
Preparatory Study for Plate 41 in "Maisons de plaisance," Vol. II, Jacques François Blondel  French, Red chalk
Jacques François Blondel
18th century
Davida Johnson Clark, Augustus Saint-Gaudens  American, Plaster, shellac, American
Augustus Saint-Gaudens
1886
Seated Woman, Antoine Watteau  French, Black, red and white chalk
Antoine Watteau
1716–17
Study for Ceiling Decoration, Kenyon Cox  American, Graphite on off-white laid paper for transfer, American
Kenyon Cox
ca. 1894
Christ and the Woman of Samaria, Benedetto Luti  Italian, Oil on copper
Benedetto Luti
1715–20
Youth with Right Arm Raised in a Shoulder-Length Portrayal (preparatory study for St. Sebastian), Timoteo Viti  Italian, Soft black chalk, or charcoal, on paper now very darkened (to beige color)
Timoteo Viti
ca. 1515
The Summons: Study for the Head of Gawaine, Sir Edward Burne-Jones  British, Fabricated black crayon on paper
Sir Edward Burne-Jones
1893
Wolf hunt, Etienne Delaune  French, Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum.
Etienne Delaune
second half 16th century
The Madonna Adoring the Child, with an Angel, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)  Italian, Pen and brown ink, traces of white, over red chalk underdrawing of the Madonna.
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)
early 16th century
Saint Sebastian (recto); sketches of a male head and a standing figure in a short cape; a copy of the figure on the recto (verso), Sodoma (Giovanni Antonio Bazzi)  Italian, Pen and brown ink, brown wash, over black chalk (recto); pen and brown ink, black chalk (verso)
Sodoma (Giovanni Antonio Bazzi)
early–mid-16th century
Tahitian Faces (Frontal View and Profiles), Paul Gauguin  French, Charcoal on laid paper
Paul Gauguin
ca. 1899
Study of the Head of a Youth Gazing Upward, Perugino (Pietro di Cristoforo Vannucci)  Italian, Black chalk;  Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink.
Perugino (Pietro di Cristoforo Vannucci)
late 15th–early 16th century
Tigers Hunting Boars and Deer, Ink on paper, Western India, Rajasthan, Kota
Western India, Rajasthan, Kota
ca. 1830
Study for "Gil Blas and the Archbishop" (from Sketchbook of Figure and Landscape Subjects), Francis William Edmonds  American, Graphite on off-white wove paper, American
Francis William Edmonds
ca. 1839
Exterior Window Bay from the Farnese Palace of Caprarola, Preparatory Study for the 'Oeuvres Complètes de Jacques Barozzi de Vignole', François Debret  French, Pen and black ink over graphite underdrawing, pink, gray and yellow watercolor
François Debret
1815–23
Male Nude, Seen from Behind, Hippolyte Flandrin  French, Oil on paper, laid down on canvas
Hippolyte Flandrin
Paul Flandrin
ca. 1829–46
Grotto from the Gardens of the Farnese Palace at Caprarola, Preparatory Study for the 'Oeuvres Complètes de Jacques Barozzi de Vignole', François Debret  French, Pen and black ink over graphite underdrawing, pink, gray and yellow watercolor
François Debret
Jacopo [Giacomo] Barozzi da Vignola
1815–23
Head of Krishna: cartoon for a mural of the Raslila 

, Sahib Ram, Ink and opaque watercolor on paper, India (Rajasthan, Jaipur)
Sahib Ram
ca. 1800
Saint Francis Receiving the Stigmata, Lo Spagna (Giovanni di Pietro)  Italian, Point of the brush and brown ink, heightened with white (partly oxidized), traces of black chalk, on paper washed with light brown.
Lo Spagna (Giovanni di Pietro)
early 16th century
Standing Apostle, Giovanni Bandini (called Giovanni dell'Opera)  Italian, Pen and brown ink
Giovanni Bandini (called Giovanni dell'Opera)
mid-16th century
Madame Théodore Gobillard (Yves Morisot), Edgar Degas  French, Pastel
Edgar Degas
1869
Singer and Sarinda Player, Sahib Ram, Ink on paper, India (Rajasthan, Jaipur)
Sahib Ram
ca. 1800
Portrait of a Man (Sir Ralph Sadler?), Hans Holbein the Younger  German, Oil and gold on oak
Hans Holbein the Younger
1535
Aman-Jean (Portrait of Edmond François Aman-Jean), Georges Seurat  French, Conté crayon on Michallet paper
Georges Seurat
Edmond-François Aman-Jean
1882–83
Hiranyakashipu commands his demon warriors to threaten and injure Prahlada. Preparatory drawing from the ‘Small Bhagavata Purana’ Series, Manaku  Indian, Brush drawing on paper, India, Guler, Himachal Pradesh
Manaku
ca. 1740–50
Untitled [preparatory drawing for a proposal for light sculptures on the construction site of the World Trade Center towers], Forrest Myers  American, Silver gelatin print and paint
Forrest Myers
1967
Untitled [preparatory drawing for a proposal for light sculptures on the construction site of the World Trade Center towers], Forrest Myers  American, Gelatin silver print and paint
Forrest Myers
1967
Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso), Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)  Italian, Pen and brown ink, touches of brown wash, heightened with white (partly oxidized), over traces of black chalk, on tinted paper; partial tracing of figures from the verso (recto); Pen and brown ink over black chalk (verso)
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
1505–6(?)
Study for "A Sunday on La Grande Jatte", Georges Seurat  French, Oil on canvas
Georges Seurat
1884
Study of a Young Woman, Johannes Vermeer  Dutch, Oil on canvas
Johannes Vermeer
ca. 1665–67
Study for an Equestrian Portrait, Possibly that of Albert de Ligne, Count of Arenberg; verso: Various Studies of Statues and Figures, Including the Venus Pudica and Scipio and his Lictor, Anthony van Dyck  Flemish, Pen and brown ink; verso: pen and brown ink, black chalk
Anthony van Dyck
ca. 1628–32
Saint Francis of Assisi Resuscitating a Dead Youth, Camillo Procaccini  Italian, Red chalk
Camillo Procaccini
1555–1629
Design for an Overdoor Painting and Two Wall Panels, Arthur B. Davies  American, Black and white crayon, gouache
Arthur B. Davies
ca. 1900–1910
Study for Galatea, Auguste Rodin  French, Cast plaster, French
Auguste Rodin
modeled ca. 1889, cast before 1912
Saint Jerome (recto); Soldier with a Spear (verso), Vittore Carpaccio  Italian, Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso)
Vittore Carpaccio
1460–1525