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Wide-rimmed bowl with figures from Virgil's Aeneid, Maestro Giorgio Andreoli Italian, Maiolica (tin-glazed earthenware), lustered, Italian, Gubbio
Wide-rimmed bowl with figures from Virgil's Aeneid
Multiple artists/makers
1525
Sword, Steel, silver, copper alloy, leather, Western European
Sword
Western European
ca. 1400
Aeneas and the Sibyl in the Underworld, Jan Brueghel the Younger Flemish, Oil on copper
Aeneas and the Sibyl in the Underworld
Jan Brueghel the Younger
1630s
Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican
Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764
Venus Giving Arms to Aeneas, Jean Cornu French, Terracotta and painted wood, French, Paris
Venus Giving Arms to Aeneas
Jean Cornu
1704
Terracotta neck-amphora (jar), Diosphos Painter, Terracotta, Greek, Attic
Terracotta neck-amphora (jar)
Attributed to the Diosphos Painter
ca. 500 BCE
Marble relief fragment with scenes from the Trojan War, Marble, Palombino, Roman
Marble relief fragment with scenes from the Trojan War
Roman
1st half of 1st century CE
Wide-rimmed bowl depicting figures from Virgil's Aeneid, Maestro Giorgio Andreoli Italian, Maiolica (tin-glazed earthenware), lustered, Italian, Gubbio
Wide-rimmed bowl depicting figures from Virgil's Aeneid
Multiple artists/makers
1525
The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas
The Dream of Aeneas
Salvator Rosa
1660–65
The suicide of Dido, Queen of Carthage, Ferdinando Tacca Italian, Bronze, on later wood base, Possibly Flanders
The suicide of Dido, Queen of Carthage
Ferdinando Tacca
late 17th century
Derick Berck of Cologne, Hans Holbein the Younger German, Oil on canvas, transferred from wood
Derick Berck of Cologne
Hans Holbein the Younger
1536
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35
Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II)
Master of the Aeneid
probably ca. 1530–35
Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges
Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35
Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35
Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI)
Master of the Aeneid
ca. 1530–35
Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges
Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35
The Combat between Dares and Entellus (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges
The Combat between Dares and Entellus (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35
Plate (piatto): The story of Aeneas, Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Plate (piatto): The story of Aeneas
Francesco Xanto Avelli da Rovigo
1532
The Children of Prescott Hall Butler, Augustus Saint-Gaudens American, Marble, American
The Children of Prescott Hall Butler
Augustus Saint-Gaudens
Carver Carved by Piccirilli Brothers Marble Carving Studio
1880–81; carved 1906–7
Virgil Reading the Aeneid to Augustus, Livia, and Octavia, Jean Auguste Dominique Ingres French, Pen and black ink, graphite, brush and gray wash, white gouache heightening, Conté crayon on blue paper
Virgil Reading the Aeneid to Augustus, Livia, and Octavia
Jean Auguste Dominique Ingres
1809/1819 (?)
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso), Sebastiano Conca Italian, Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)
Sebastiano Conca
ca. 1716–18
Dido's Sacrifice to Juno, Jean Bernard Restout French, Oil paint, over pen and brown ink, brush and brown wash, on paper, mounted on canvas
Dido's Sacrifice to Juno
Jean Bernard Restout
Former Attribution Formerly attributed to Joseph Marie Vien
Former Attribution Formerly attributed to Jean-Baptiste Marie Pierre
ca. 1772–74
Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa Italian, Etching and drypoint
Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand
Salvator Rosa
ca. 1663–64
Venus entrusting Cupid to Time, Giovanni Domenico Tiepolo Italian, Etching; second state of three (Succi)
Venus entrusting Cupid to Time
Giovanni Domenico Tiepolo
After Giovanni Battista Tiepolo
1758–80
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697), Wenceslaus Hollar Bohemian, Etching and engraving; fifth state of five, the plate reduced, as published in 1697 or 1698
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697)
Etcher Wenceslaus Hollar
After Franz Cleyn
Author Related author Virgil
1654
Unhappy Ghosts Crossing the Styx: In Base-relief, John Doyle Irish, Lithograph
Unhappy Ghosts Crossing the Styx: In Base-relief
Multiple artists/makers
December 11, 1834
Zeus as an eagle, abducting Ganymede, Giovanni Battista Palumba Italian, Woodcut (appears to be a later impression)
Zeus as an eagle, abducting Ganymede
Giovanni Battista Palumba
1500–1510
Ovid's Metamorphosis Englished, Mythologiz'd, and Represented in Figures: An Essay to the Translation of Virgil's Æneis.
Multiple artists/makers
1632
The Battle of Diomedes and Aeneas (from the Story of Achilles), Jan van Orley Flemish, Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist
The Battle of Diomedes and Aeneas (from the Story of Achilles)
Jan van Orley
ca. 1720–30
The Works of Virgil: Containing his Pastorals, Georgics, and Aeneid, Translated into English Verse by Mr. Dryden, Adorn'd with a Hundred Sculptures, the Second Edition
Multiple artists/makers
1698

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