耶稣受难

Pietro Lorenzetti Italian

On view at The Met Fifth Avenue in Gallery 635

这块饰板有不同寻常的戏剧张力和人物刻画，它与另一块已知的饰板一样，同属一件可移动的圣坛装饰画。皮埃特罗·洛伦采蒂在锡耶纳学画，从师于杜乔。皮埃特罗和他的兄弟安布洛乔一样，都是意大利艺术的真正创新者。这块饰板强调了故事情节的戏剧化，充分见证了这位艺术家丰富的想像力。这幅画原本是供人敬拜用的，但其中每一处细节，包括晕厥的圣母和正要打断其中一个盗贼双腿的精力充沛的人物，都表现出皮埃特罗将人性视角渗透入圣经主题的能力。

The Crucifixion, Pietro Lorenzetti (Italian, active Siena 1320–44), Tempera and gold leaf on wood

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The Crucifixion, Pietro Lorenzetti (Italian, active Siena 1320–44), Tempera and gold leaf on wood
The Crucifixion, Pietro Lorenzetti (Italian, active Siena 1320–44), Tempera and gold leaf on wood
The Crucifixion, Pietro Lorenzetti (Italian, active Siena 1320–44), Tempera and gold leaf on wood
The Crucifixion, Pietro Lorenzetti (Italian, active Siena 1320–44), Tempera and gold leaf on wood
The Crucifixion, Pietro Lorenzetti (Italian, active Siena 1320–44), Tempera and gold leaf on wood
The Crucifixion, Pietro Lorenzetti (Italian, active Siena 1320–44), Tempera and gold leaf on wood
The Crucifixion, Pietro Lorenzetti (Italian, active Siena 1320–44), Tempera and gold leaf on wood

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